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The Latest Breaking News from Klon

“Over the span of several years of wrestling with that dynamic, I had an epiphany”: JHS Pedals’ Josh Scott on how IKEA inspired him to create a DIY Klon clone that took the internet by storm

Last year, the budget-friendly Notaklön turned heads – and made fans (and foes) along the way...

Guitar World

Klon creator Bill Finnegan’s lawsuit against Behringer over its Centaur clone has been dismissed

The lawsuit had been filed following the release of Behringer’s Klon Centaur copy, which was originally called the Centaur Overdrive

Guitar World

Klon Centaur inventor Bill Finnegan’s lawsuit against Behringer over its $69 Klon clone has been dismissed

With Behringer's $69 K-style drive renamed as the Zentara, the battle is over. Did Finnegan win in the end?

MusicRadar

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“A Klon-type pedal with a twist”: Keeley Manis review

With the option of transistors or diodes, this is one of the most appealing Klon klones in years

Guitar World

“Rule number one: When you’re notusing a pedal, your guitar must sound like your original guitar sound”: Steve Stevens on the pedalbord the guru Dave Friedman made him, his favorite Klon klone and why he can't use chorus anymore

The effervescent Billy Idol guitarist reveals the secrets of his pedalboard

Guitar World

“Weirdly wonderful”: Behringer’s back with another on-the-nose clone – this time of a cult Moog filter pedal from the 2000s

It’s the latest entry into Behringer’s catalog of vintage-inspired pedals, following the controversial Centara overdrive Klon copy

Guitar World

Behringer makes changes to its $69 Klon copy in the wake of pedal creator Bill Finnegan’s lawsuit

The Klon Centaur’s creator called the pedal a “blatant counterfeit” and the German brand has moved to avoid any further repercussions

Guitar World

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“This is for the guys that think they know everything about the clone, yet they just want to have a little bit more”: Keeley Electronics adds more compression, suppression, bass, and headroom to the Klon Centaur recipe

Robert Keeley’s fingerprints are all over the Manis as the pedal boffin delivers a pedal that can serve faithful Klon tones, and plenty more punch beyond it

Guitar World

“It’s really kind of a miracle cure for those that have the Klon blues”: Keeley Electronics’ new Manis Overdrive remixes the classic K-style drive recipe for those who don’t like the original (and those who do)

In this inventive twist on the Klon, Robert Keeley switches out the "mythical" diodes for germanium transistors and offers diodes as a switchable option, and there's a bass boost feature too

MusicRadar

“For the record, I have never been consulted in any way about this pedal, it has never been authorised by me”: Bill Finnegan sues Behringer parent company over Klon Centaur clone

Finnegan invented the Klon Centaur in 1994. Behringer launched a $69 copy and called it the Centaur Overdrive in November last year

MusicRadar

“Not just another clone but instead a blatant counterfeit of Klon’s legendary pedal”: Klon creator Bill Finnegan is suing Behringer over the design of its Centaur Overdrive

Finnegan has accused Behringer's “counterfeit” pedal of using Klon’s trade dress and “exploiting” his firm's reputation

Guitar World

Klon Centaur creator Bill Finnegan once said that the hype around his pedal was “ridiculous,” yet originals still fetch $10,000 or more on the secondhand market. With plentiful, far cheaper clones, why does the Klon remain a holy grail pedal?

Klons have been used by Jeff Beck, John Mayer, Joe Perry, Ed O'Brien, and countless other guitar heroes, and are often spoken about as a sort of overdrive sword of Excalibur. But what exactly sets them apart? And how did they become so darn valuable?

Guitar World

“If you’re looking for the closest sonic replica of those original ‘K’ pedals then look no further”: Mythos Pedals unveils the 1N34A Mjolnir, a limited edition clone of owner Zach Broyles’ Klon Centaur

Broyles' Klon bears the serial number 1666, and if the devil is in the details, maybe those details are the pair of 1N34A germanium diodes in this Mjolnir circuit

MusicRadar

“Delivering the original's legendary transparent boost overdrive with huge dynamic range”: Behringer has just released its own Klon clone – and at $69, it's one of the most affordable you can buy

While many brands have tried their hand at a Klon clone, Behringer has released a budget-friendly, downsized version with many of the original's specs

Guitar World

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MusicRadar

“A wealth of features not seen before in a Klon-style pedal”: Walrus Audio’s Voyager MKII overdrive/preamp takes Centaur stage – equipped with footswitchable parametric mids, it promising “mythical magic” and absolute clarity

The Voyager MKII presents an abundance of tone-shaping features at your feet, including five clipping options and a parametric mids EQ section

Guitar World

“A wealth of features not seen on a Klon-style circuit before”: Walrus Audio wades into uncharted waters with a fresh take on one of the world’s most cloned overdrive pedals

The original Voyager caught the ears of Ed O’Brien, Joe Bonamassa and more. Now, an updated version hopes to add new levels of customization to the crowded Klon clone market

Guitar World

“I haven't used the Big Muff since 1993. I don’t use that many pedals anymore, but I use them live”: Billy Corgan shares his pedalboard secrets, including the $1,000 pedal he stole from his dad

The Smashing Pumpkins bandleader reveals that though his relationship with guitar effects has changed over the years, there's still a place in his heart for them, especially the Warm Audio Warmdrive

MusicRadar

“I’ve played some new Gibson and Fenders that really nail it”: Joe Perry says guitar making is as good now as it was in the golden era – and explains why you don’t need to spend $7000+ on a vintage Klon

The Aerosmith guitarist has a formidable stockpile of vintage gear but argues you that the new gear is just as good, and more affordable too

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MusicRadar

“It unlocks a world of possibilities by blending both circuits in the most unique ways”: Beetronics’ Wannabee packs customisable Klon and Bluesbreaker-inspired circuits into one versatile drive

Here we have two classic overdrive circuits, three switchable voicings for each, and the capability to switch up their order, blend them and run them in parallel

MusicRadar

Brian Wampler explains why it's (mostly) a myth that the Klon is a 'transparent' sounding overdrive pedal

The Tumnus designer weighs in

MusicRadar

Wampler’s Tumnus Germanium becomes the latest $500-plus pedal as the sold-out limited run overdrive commands eye-watering prices online

That's a lot of dough for a compact drive pedal that was on sale in December for $179

Guitar World

JHS Pedals simply can’t make enough of its $99 DIY Notaklöns to keep up with demand, but I managed to get my hands on one – does the Klon clone live up to the outrageous hype?

The humble IKEA-style stompbox took the guitar world by storm upon its relentless roll-out, and now there's a waiting list to get one. Is this just another DIY novelty pedal, or genuinely something special?

Guitar World

“A rare opportunity to own a piece of tone shaping history”: Wampler brought back the Tumnus using the same germanium diodes found on the original Klon Centaur – but it’s already sold out

A small stash of the Klon's elusive diodes were uncovered after “a massive hunt” – resulting in quite possibly the most authentic Klon clone ever

MusicRadar

"We severely underestimated your response to this product" – JHS planned to make 3,000 NOTAKLÖN pedals to sell at launch, a week later it has sold 12,000 of them. But why?

The appeal is strong with this one

Guitar World

“I had Hubert Sumlin, Howlin’ Wolf’s guitar player, out on tour with me, and he showed up with a $120 Squier Strat. He played it on stage that night and killed it”: Kenny Wayne Shepherd on why tone is in the hands (but it helps to have a trio of Dumbles)

The blues-rocker shares the story of his decade-long search for a 1960 Les Paul, why his Marshall amps just wouldn’t stop blowing up, and what made him convert to the single-cut after decades of Stratocaster monogamy

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