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The Latest Breaking News from James Ehnes

Brahms: Violin Sonatas album review – Ehnes and Armstrong’s performances exude an effortless rightness

The Canadian violinist and American pianist – musical partners for over three decades – bring assurance and grace to these three violin sonatas written by Brahms in his creative prime.

The Guardian - UK

Why Bach’s music is indestructible, whether on the mandolin, modern piano – or soundtracking murder

The German composer dominates the classical charts and concert platforms, especially at this time of year. Here’s to his life-giving zombie music!

The Guardian - UK

Sinfonia of London – weapons-grade energy and contagious dynamism

Conductor John Wilson has made this orchestra one of the best in Britain, and violinist James Ehnes was the ideal soloist in a performance that took flight instantly

The Guardian - UK

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Sibelius: Violin Concerto, Serenades, Humoresques album review – James Ehnes at his sublime best

The star violinist gives a muscular yet sensitive account of the composer’s only concerto, alongside other works for violin and orchestra

The Guardian - UK

Stravinsky: Violin Concerto album review – neoclassical Stravinsky with style and substance

The Apollo ballet and the Violin concerto are the lead works in this collection recorded by conductor Andrew Davis and violinist James Ehnes

The Guardian - UK

Prom 26: BBCPhil/Storgårds review – Barry takes us inside Kafka’s head

Gerald Barry’s deliberately muted new work, Kafka’s Earplugs, failed to make an impact in this venue, while James Ehnes was a deft and impressive soloist in Walton’s violin concerto

The Guardian - UK

Berg: Violin Concerto; Three Orchestral Pieces review – an idiomatic and accomplished collection

Conductor Andrew Davis and warm-toned soloist James Ehnes vividly connect Berg’s early music to his later scores and the composers who were his models

The Guardian - UK

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The week in classical: Theatre of Voices; Philharmonia/Wilson; Felix Klieser – review

John Luther Adams’s Grand Canyon meditation finally surfaces; James Ehnes makes Walton look easy; and Felix Klieser and co shine in Mozart and Brahms

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