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The Latest Breaking News from Ibanez

“At that point, they were making better Les Pauls than Gibson was”: Kiss' Paul Stanley broke new ground by trading his Gibsons for Ibanez guitars – and by teaming up with the iconic Japanese brand for an early signature model

“I was looking for a guitar that I would love,” the Kiss man told Guitar World in a recent interview

Guitar World

“Tubes are overrated. And you never know what you’re going to get overseas. I can’t play through a Marshall JCM – they sound like crap”: Sludge titans Thou have never been afraid to tear up the rulebook – but they do need a spreadsheet for their tunings

Andy Gibbs and Matthew Thudium reflect on abyssal drop tunings, their DIY ethic, silly song nicknames and the value of having a tuning spreadsheet

Guitar World

How Ibanez flipped the script for Japanese electrics with the Iceman – a flavor of original cool that Steve Miller and Paul Stanley of Kiss were waiting for

The story of an electric guitar so cool, there's no wonder they called it the Iceman

Guitar World

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“I bet if it had been Brian May playing this it would have been labeled incredible!” Sam Ryder delivers an electric guitar-driven rendition of the British national anthem – and somehow stirs up controversy

The guitarist brandished an Ibanez Destroyer during a high-profile English sporting event – and his performance seems to have divided fans

Guitar World

“I was like, ‘What’s the story with this guitar because it is god ugly’”: Bon Iver swapped an expensive 1960s Martin for a “hideous” budget Ibanez that had been rejected by a rehab center for his new album

The “hideous” $199 guitar was deemed to be a better choice than a vintage gem that would have guitar enthusiasts drooling

Guitar World

"He takes this expensive Martin from the '60s, we test it and I'm like, 'cool'. But it's just not quite making me excited - it's not doing the thing": Why Bon Iver chose a "hideous" $199 Ibanez rejected by a rehab centre over a vintage Martin for Speyside

"I was like, 'what's the story with this guitar, because it is god ugly'"

MusicRadar

“It is an absolute phenom for us to be able to present to you now our teenage aspirations in this song”: Joe Satriani and Steve Vai are living out their teenage dreams in the video for their new single featuring the ‘Voice of Rock’ Glenn Hughes

I Wanna Play My Guitar is a love-letter to the instrument from two maestros on top of their game

MusicRadar

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“It was tour, tour, tour. I had this moment where I was like, ‘What do I even want out of music?’”: Yvette Young’s fretboard wizardry was a wake-up call for modern guitar playing – but with her latest pivot, she’s making music to help emo kids go to sleep

Young is in her musician-artist-producer era – leaning into soundtracks, generating ideas with her signature Qi pedal, and reclaiming control of her career, as epitomized by her latest collaboration with Hatch: a suite of Emo Sound Baths

Guitar World

“I got that bass for $50 off this coke dealer. I don’t know what Jaco did to it, but he totally messed up the insides!” How Cro-Mags’ Harley Flanagan went from buying a Jaco Pastorius bass on the street to fronting one of hardcore’s most influential bands

The Cro-Mags founder on the reason he plays Fenders despite loving Rickenbackers, learning from Lemmy and the new documentary about his struggle for survival

Guitar World

“My worst case of buyer’s remorse? An impulse-buy banjo. I was third-wheeling on a date, and I felt awkward”: Yvette Young on how to buy a guitar, and why – maybe – you should think twice before lending anyone a beloved acoustic

The sometime teacher and modern-day math-rocker recounts the gear that’s made an impact – and gives us a rundown on her most-loved rig

Guitar World

“Ibanez and Japanese brands in general were irritating the hell out of Gibson, Fender and other US companies targeted by copyists”: From copies to innovations – the origin and rise of Japanese electric guitars (and the truth about ‘lawsuit’ guitars)

We dig into the Japanese guitar industry of the 1960s and ’70s and find notable brands, mischievous copies, diligent makers and original designs that led to the instrument’s renaissance in the 1980s and beyond

Guitar World

“When I saw it, I couldn’t believe how cool it was”: Joe Satriani is selling one of his rarest guitars – an ultra-ambitious Ibanez Y2K Crystal Planet prototype

The elite shredder is selling off a bunch of pre-loved gear, including a stunning see-through version of his Ibanez signature guitar

Guitar World

“It’s got this Pink Floyd-ish tone that’s really open. I used it with Michael McDonald at the Hollywood Bowl”: Created by the Ibanez Custom Shop in L.A., Thundercat’s double-neck bass guitar has a 6-string on top and an 8-string on the bottom

It’s impossible not to notice Thundercat onstage, especially when sporting a custom-made double-neck bass

Guitar World

“I practice guitar ferociously”: Creedence Clearwater Revival's John Fogerty deploys Eddie Van Halen-style two-hand tapping on an Ibanez RG in unlikely guitar practice video

Even veteran guitarists have to keep their chops up

Guitar World

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Guitar World

“I think people are cottoning on to the fact that it’s just a good idea”: Why are so many players turning to headless guitars? We asked Plini, one of the biggest names in the game, to find out

Ibanez, Kiesel, Schecter and Strandberg are all flying the flag for headless electrics, which have reached an unprecedented level of popularity in recent years

Guitar World

“I put large erasers under the pickups. I play pretty loud with Mr. Big, so I take extra precautions to keep feedback to a minimum”: Paul Gilbert names his three favorite guitars – including one that was stolen very recently

The virtuoso behind Mr. Big and Racer X digs out three stalwarts from his arsenal of Ibanez guitars and explains what makes them cool – oh, and why he puts erasers under his pickups

MusicRadar

“You’re the boss of the tone because you’re the one playing it, and you’re the one hitting the note”: Steve Vai has some advice for players who are unhappy with their tone

Before swapping out your amp or guitar, pay close attention to how you are playing. Vai says a complete rethink of his picking style helped him find his tone in the '80s

Guitar World

“Not many people will let you go as hard as they let us go. With Cobra Kai, it’s like, ‘Turn the gain all the way up!’” How Cobra Kai’s soundtrack senseis brought black-belt guitarists Tim Henson, Tosin Abasi and Charlie Robbins to their musical dojo

As the hit Netflix martial arts show takes the story global, its soundtrack composers are doing likewise. Leo Birenberg and Zach Robinson explain why it’s a good time to explore their influences – and bring some virtuoso guitarists along for the ride

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Guitar World

“I left it in my car for 30 minutes, went to check on it, and it was already gone. Man, I must have cried for a week”: Andy Timmons on the agony of guitar thefts, his “birth-week” Strat, and his search for the ultimate single coil

The Ibanez signature artist discusses a life in gear, admitting that he doesn’t know what he’s going to do with his Marshall JTM45 but he will get around to using it, and why you've got to try before you buy

Guitar World

“Someone once gave me an old Danelectro guitar they bought at a garage sale for $10. I still have it and used it on a bunch of my records”: Shred hero Vinnie Moore reveals his greatest gear hits and misses – and why the best guitars are free

Though he’s most associated with all things ’80s shred, some of the UFO guitarist’s gear choices might just surprise you…

Guitar World

“If you’re on stage with Steve Vai, you have to find a way through all the emotions to enjoy the moment”: How Lari Basilio became one of today’s foremost instrumental virtuosos – sharing stages with Joe Satriani, John Petrucci and Lee Sklar along the way

The Ibanez signature artist explains why she makes instrumental music but hardly ever listens to any, where Brazilian music fits in her inspiration, what she loves about her signature pedal and how to develop skills without even knowing it

MusicRadar

“We’re making new guitars that don’t exist for the sole purpose of writing something”: Polyphia's Tim Henson teases new 8-string meisterworks that could require a whole new guitar to play along

Never a band to take it easy, their latest output could rock both music and hardware to the next level

Guitar World

“It’s heavy… Lots of eight-string. We’re playing baritones, too. We’re making new guitars that don’t exist”: Polyphia’s next album is going to be brutal – and some big-name metal artists are already slated for guest appearances

Tim Henson let us in on what’s next for the boundary-smashing instrumental band – and it’s all in the name of blowing festival crowds away (and maybe, just maybe, selling more guitars)

Guitar World

“Scoring video games is something I’ve always wanted to do since I played Doom when I was 11”: How a video game about a cult led by a lamb united 5 of today’s greatest metal players in a quest for brutality

Scott LePage, Javier Reyes, Matt Heafy, Sean Long and Josh Baines reflect on sharing a record with elite shredders, how new gear discoveries shaped its direction, and the joys of scoring video games

Guitar World

“The next step in cable technology”: Ibanez and JTC claim to have created the world’s most advanced guitar cable – but what makes it so special?

The Glideline collaborative instrument cable delivers high-resolution signals that “eliminate any compromise” from guitar tones

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