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Greta Gerwig’s bubblegum-fun-cum-feminist-thesis indulges Ken but pulls its punches as it trips between satire and advert

In 'Barbie,' a plastic parade of camp and goofy hijinks slowly gives way to tender, insecure emotion. Read our review of the new movie starring Margot Robbie and Ryan Gosling.

In Greta Gerwig’s hands, Barbie is a weapon. The director wields the iconic doll like a broadsword in “Barbie,” cleaving through culture with gleeful spirit and savage humor. In this existential exegesis on what it means to be a woman, and a human, Gerwig reflects our world back to us…

While it’s impossible for any studio film to be truly subversive, this Mattel-approved comedy gets away with far more than you’d think was possible

Margot Robbie and Ryan Gosling achieve some sublime moments as the dolls discovering life isn’t easy outside the safety of Barbieland.

Barbie review: to use Ken's words, "sublime"

Not everyone behind the movie agrees on its values, a few days before its release worldwide.

“Barbie” isn’t just a movie that uses the iconic doll to explore themes of existentialism, the human condition and patriarchy. It’s also a true celebration of cinematic history. Writer and director Greta Gerwig shared her list of 33 films that inspired “Barbie” on the cinephile social network Letterboxd recently, but…

The much-hyped showdown between Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer isn’t the first time two cinematic titans have gone to war

DETROIT — The movie event of the year is two movies, actually: One about the world of one of our most cherished childhood dolls and the other about the development of the atomic bomb.

The film seems to have settled on an uncomfortable toothless brand of self-awareness, smirky without being actually funny, all arched eyebrow and no bite, says Megan Nolan. And she’s over it