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The Latest Breaking News from Cream

“Beck, Clapton and Page are okay. But they’re no better than Jim McCarty from Cactus and Mitch Ryder and the Detroit Wheels”: Ted Nugent weighs in on top guitarist lists and the unsung heroes who deserve more recognition

Ted Nugent names the guitarists he thinks deserve to be championed as much as Beck, Clapton and Page

Guitar World

“When Fender and Gibson embrace new tech, it’s usually not well received. It’s better to work with a young, disruptive company who wants to break the rules”: Inside Cream Guitars, the no-copy Mexican brand shaking up guitar with color-changing finishes

How a doctor (who also sidelined in designing suits for firefighters) ended up creating Cream Guitars, one of the most groundbreaking new brands in the industry

Guitar World

"I remember this cold, damp day in Barnes Cemetery, lugging this plexiglas coffin around with Mickey Mouse": The curious story of Free's debut album

Recorded for just £800, Free’s Tons Of Sobs remains one of rock’s greatest debut albums

Louder

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read the most diverse news in one place.

“This guy came up to me and said, ‘Hi, I’m Jimi Hendrix, can I sit in with your band?’ I said, ‘Well, I dunno – let’s go and find out’”: In June 1968, Jack Bruce came close to forming a band with Jimi Hendrix

Speaking in 2003, the late Cream bassist Jack Bruce recalled his first encounters with Jimi Hendrix

Guitar World

"He told me 'I'm giving all the magic stuff up and I’m just going to play.' A few days later he was dead": The apocalyptic life of Graham Bond, one of British music's great lost talents

Graham Bond told people he was the son of Aleister Crowley. His life was blighted by drugs. And on May 8, 1974, he died under a train in North London

Louder

“We thought Ramblin’ Man was too country to record. We put it on the album, and it became a hit. Then it more and more became Dickey’s band”: Dickey Betts and Gregg Allman tell the full story of the Allman Brothers Band, one of rock’s greatest groups

In this career-spanning oral history from 2009, Betts, Allman, Warren Haynes, Butch Trucks and more retrace the turmoil, tragedies and triumphs behind the Allman Brothers Band

Guitar World

“That was just the way it was at that point because Ahmet Ertegun was more or less in love with Eric. He thought Eric should be the frontman”: Cream and the trouble with Strange Brew

The classic opener to Disraeli Gears was never a favourite of Cream's members, and this is why

MusicRadar

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Moby Dick began life as a modest instrumental showcase for John Bonham: Played live, it took on an epic, often drug-fuelled life of its own

The epic story of Led Zeppelin's ever-expanding instrumental tour-de-force, Moby Dick

Louder

“Jack loved that a kid like me, with a blue mohawk and plaid guitar, was making the songs my own – playing Cream and doing divebombs in the corner”: Blues Saraceno toured with Clapton’s Cream bandmates, recorded for Cher and had a bumpy ride with Poison

The ‘kid who replaced Clapton’ as a teenager and landed a double-salary stint with Poison moved into TV, movies and videogame soundtracks – and doesn’t plan to come back

Guitar World

“I think that the whole band was kind of misunderstood by everybody, and it gave us a sort of an edge, you know": The story of Cream's Disraeli Gears

How Baker, Bruce and Clapton transcended their (and their management's) very different ambitions for Cream to track a '60s masterpiece

MusicRadar

“I turned everything on the amp to 10 and smoked the guitar so hard that it would rattle someone’s teeth… They said nothing, then Jack Bruce signaled me out”: How Blues Saraceno became ‘the kid that replaced Clapton’ – despite almost blowing the audition

The young phenom was already making waves at the age of 16, and when it came to filling Slowhand's shoes, he won over Ginger Baker and Jack Bruce with a bold audition that left quite the impression

Guitar World

The 20 greatest rock supergroups ever

From Cream and ELP to Temple Of The Dog and Velvet Revolver, these are history’s greatest supergroups

Louder

“Am I a good bassist? I’m a f**king good bassist!” Sting on bass playing, Cream and his “battered looking” P-Bass

From the Bass Player Archive: An interview with Sting

Guitar World

"We were surrounded by these drums and guitars that The Beatles had used, but the engineers were too stoned to record us": How the stars repeatedly failed to align for Trapeze

Fronted by the future Voice Of Rock, Trapeze were soon on board the Express To Success. But then Deep Purple came calling and walked off with the golden-throated goose

Louder

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TechRadar

I wept at 'Band on The Run' in London's top Dolby Atmos theater – in a good way

Just over 50 years on from its 1973 release, you can now hear Macca and Co. in a stunning Dolby Atmos mix – or better yet, with all of the over-dubs removed.

Guitar World

“Duane Allman played a great solo, came back, and Eric says, ‘Well, I want to do mine again!’ This went on for at least an hour or two”: How Eric Clapton went from God to all-'round guitar genius in the ‘70s

After the writing on the wall proclaimed him a deity in the '60s, where else was there to go for Eric Clapton but on a search of self-discovery, musical improvement, and new artistic frontiers

Louder

"In screaming so loudly for so long I gave myself chronic laryngitis and screwed up my voice forever": Mountain man Corky Laing reveals how a seductive dancer inspired a hard rock classic

Mississippi Queen gave Mountain their signature song, rock'n'roll its second most famous cowbell, and Corky Laing headaches over the songwriting credits

Louder

“It’s a blessing and a curse… there’s times you feel like they’re hacking up your child! But the real freedom comes in trusting that it will all work out for the best”: How supergroup Transatlantic made Kaleidoscope

Neal Morse, Mike Portnoy, Pete Trewavas and Roine Stolt either flowed together like streams entering a powerful river – or made a pact to leave control-freak tendencies at the studio door

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Guitar World

“Nobody in Decca studios had ever witnessed somebody setting up their guitar and amp and playing at that volume. People in the canteen were complaining”: How Eric Clapton revolutionized electric guitar in the ‘60s

It was a febrile time for popular music, and in Eric Clapton, guitar had a hero in waiting who would change forever how we would play the instrument

Louder

"Led Zeppelin played to a crowd of 150,000, but no-one on the bill was looking for a big break or even a record deal": How 60s' music festivals turned a generation of blues aficionados into the first rock stars

Some of the events still exist today, but back in the 60s they played hosts to bands for whom future possibilities were entirely unknown

Guitar World

“My dad showed that the bass can play an equal role in melodic and rhythmic invention”: Heavenly Cream mastermind Malcolm Bruce doesn’t use Jack Bruce’s gear, but he can tell you how to easily get his father’s sound

The world has only begun to understand what Cream contributed to music and culture, says Malcolm, who finds it easy to perform like late pioneer Jack did

Guitar World

“Eric Clapton’s a great guitarist, but Gary Moore’s a more exciting player”: Jack Bruce on the brilliance of Gary Moore and why Cream’s real chemistry was between Bruce and Ginger Baker

In 1993 the late Cream bassist joined forces with Gary Moore and Ginger Baker to form the short-lived power trio BBM

Louder

"The crowd was berserk, and Bruce just beaming. It was like he knew. He'd taken a massive step": Bruce Springsteen and the long road from Sunday matinees to stardom

Like many young teenagers in the 60s, Bruce Springsteen was obsessed with rock'n'roll. A decade and a lot of hard graft later, he was being hailed as its future

Louder

"In our haste, the lump of hash got away and slipped down the sink drainpipe. Panic!": What happened when Jimi Hendrix created havoc and got banned by The BBC

The producers of BBC1's Happening For Lulu wanted Jimi Hendrix to play Hey Joe. Instead, viewers were treated to a tribute to Cream and controlled chaos

Guitar World

“Eric Clapton played with a stately authority. It’s missing in guitar today. It seems every great player has to play very fast. It can be distasteful, honestly”: Scott Holiday says Slowhand’s slow hand is still the gold standard for expressive playing

Clapton remains an ever-present force in the Rival Sons star’s own sound – here’s why Holiday views his hero as one of the most influential guitarists of all time

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