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The Latest Breaking News from Classic Rock

“He thought: ‘I’m just going to do an over-the-top pop song’ – a heavy metal pop song”: The flop single that became a power-pop classic thanks to one of the greatest live albums of the 70s

It finally launched the career of one of rock’s greatest bands

Louder

“Me and Taylor sat down, and she says, ‘I can’t sing that line’, cos it was a bit too risqué”: Def Leppard’s Joe Elliott on duetting with the teenage Taylor Swift on an 80s rock classic - and the raunchy lyric they had to change

Louder

"I'm not sure I could have been the flashy guitarist he wanted me to be": Y&T's Dave Meniketti on turning down Ozzy and improving your chances of survival

If it’s classic hard rock that flicks your switch, here’s a band to flick it for you

Louder

From analysis to the latest developments in health,
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“When Ronnie sang about Neil Young in that song, that was kind of a joke lyric about him. We loved Neil Young!”: The true story of Lynyrd Skynyrd’s Sweet Home Alabama

"Neil wanted to play the song with us!"

MusicRadar

“We opened with it and the crowd broke through the barrier. We had to stop midway because people were getting hurt”: The game-changing late 80s single that put an obscure band from San Francisco on the map and helped ignite the alt rock explosion

New singer, new sound, the start of a whole new era

Metal Hammer

“You could never call us pretentious. We were a rock’n’roll band. A rock’n’roll band that liked to experiment”: The wild story of Family, the British hellraisers that John Lennon loved and Middle America hated

Prog? Rock? Blues? Family were a square peg in the round hole of early 70s rock

Louder

“David Byron refused to be helped. On one occasion he slapped me round the face, kicked and screamed at me. We couldn’t take it any more”: The stellar rise and chaotic fall of Uriah Heep, the 70s rock giants who tore themselves apart

Uriah Heep could have been been as big as Sabbath or Zeppelin if it wasn’t for drink, drugs and egos

Louder

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“We were the new outrageous band in town. We were dirty and nasty and had naked girls on stage”: The satirical 70s shock rock anthem that gave Kiss and Alice Cooper a run for their money

Frightwigs, platform boots, fake schlongs and a 70s classic that skewered slumming rich kids

Louder

“When we went to record it, the record company said, ‘Man, they won’t play that, it’s too long.’ But we said, ‘We don’t care!’”: How the young Lynyrd Skynyrd turned a simple love song into a southern rock epic

"Ronnie said, 'Just go till I tell you to quit!'"

MusicRadar

“God? Maybe he’s gone senile”: Lemmy was once asked what he thought about God and religion, and he didn’t hold back

The late Motörhead frontman liked a lot of things, but religion wasn’t one of them

Louder

“At first it felt like a bit of a novelty song. It was a shock that it became so popular”: How an unknown American trio scored a huge hit with the greatest Neil Young song Neil Young never wrote

The story behind a 70s soft rock classic

Louder

Motörhead: 50 Years Louder - A celebration, only in the new issue of Classic Rock

Also in this issue: Robert Plant, Terry Reid, Grand Funk Railroad, Luke Morley, Spinal Tap, George Harrison, W.A.S.P, Vernon Reid and more

Louder

“I sat down at the piano and started this song about a woman that was involved with birds and magic”: The classic Fleetwood Mac hit that Stevie Nicks wrote in just 10 minutes!

Nicks’ performance of the song on stage every night “was like an exorcism”

MusicRadar

"It's a classic... one of the best rock songs ever”: Which 2013 track could Brian May be talking about?

Queen man says: "I wish I'd heard it when I was a kid"

MusicRadar

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Metal Hammer

Life on the precipice: How Audioslave gave Chris Cornell hope

Audioslave successfully separated the four members from the shadows of their former bands, but for Chris Cornell it was far more important than that

MusicRadar

“I said, ‘Rick, you think we should take a break?’ And he goes, ‘Oh yeah, we got it on tape three hours ago – we just like hearing you guys play!’”: ZZ Top’s Billy Gibbons describes Rick Rubin as a “peculiar” kind of producer

Plus: how the Texan trio created something new out of an old hip-hop track

Louder

"Steve Hogarth bursts into the studio, holding a gun": What happened when Marillion allowed a journalist to play on their new album

In 2008, Marillion got a Classic Rock journalist to play on the album Happiness Is The Road, and things got weird

Louder

“We were originally supposed to be doing the song with Axl Rose, but he never turned up to the session”: The crazed early 90s techno collaboration that saved a 70s rock icon’s career – and his life

It could have been Axl Rose or Roger Daltrey – but The KLF went for someone completely different

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Louder

Classic Rock's Tracks Of The Week: August 25, 2025

Eight songs you need to hear right now, from Castle Rat, Märvel, A Thousand Horses and more

Louder

“We didn’t really talk to them. I don't think they liked us, and we didn't really like them that much either”: The time the Eagles opened for a legendary British prog rock band – and hated it

When country rock met prog, it was never going to end well

Louder

“I listened to it with the solos turned down, replacing them with my own”: The “crazy” live album that blew shred guitar legend Yngwie Malmsteen’s mind

Modern guitar playing could have been very different if Ynwgie hadn’t been inspired by this iconic 1972 live album

MusicRadar

“One night Zeppelin were all going down the boozer and I said, 'You guys bugger off but Bonzo, you stay behind because I've got an idea’”: The genius behind John Bonham’s towering When the Levee Breaks drum sound

It’s one of the best drum recordings in history, but the resulting sound was just as much a feat of engineering as it way playing

Louder

"Time seemed to stand still to the unmistakable sound of fights breaking out": What happened when The Rolling Stones and Lynyrd Skynyrd played Knebworth

In 1976, the Stones pulled a vast crowd to Knebworth. It was a day of surprises, not least how late everything ran

MusicRadar

“I was playing the Fender Strat that Jimi Hendrix gave me. We wound up plugging the guitar straight into the board. That’s why it’s such a clean tone on that track”: Billy Gibbons on the making of ZZ Top's greatest blues song

"For some reason the guitar wasn’t working through the amp," Gibbons recalled

Louder

"It's huge over most of the world. I hear it everywhere I go": How a Steve Harley song that dissed his bandmates became an all-time classic

Written as a dig at the band members who quit because Steve Harley wanted to do all the writing himself, Make Me Smile (Come Up And See Me) became a timeless hit

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