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The Latest Breaking News from Chris Christodoulou

Prom 26: BBCSO/Bychkov review – ambitious and striking Czech theme

Julian Anderson’s new Prague-inspired symphony built to a huge climax, but ultimately felt over-inflated, while the verve and energy of the Labèque sisters’ performance of Martinů was a little lost in the huge hall

The Guardian - UK

Prom 19: Hallé/Elder review – programme full of drama gleams but doesn’t quite spark

In a programme of Dukas, Respighi and Puccini, Mark Elder and the Hallé conjure atmosphere and electric suspense with precision and lush strings

The Guardian - UK

The week in classical: Prom 14: CBSO/ Yamada; Prom 16: BBCNOW/ Manze; L’incoronazione di Poppea

Why do some Proms sound better in the Albert Hall and others at home on the radio? Elsewhere, Grimeborn gets off to a smouldering start

The Guardian - UK

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The week in classical: Proms 2 & 5; Attila; Thomas Kelly – review

Star violist Lawrence Power and John Wilson’s orchestra dazzle at the Proms. Elsewhere, fireworks on the stage and podium in early Verdi, and a young pianist astonishes

The Guardian - UK

Prom 9: BBCNOW/Matiakh review – Beamish and Finch create a buzz

French conductor Ariane Matiakh brought precision and colour to a programme of three illustrative works, including the premiere of Sally Beamish’s Hive, a harp concerto built around the life cycle of the honeybee

The Guardian - UK

Prom 2: Sinfonia of London/Wilson review – an incisive and exciting celebration of British music

John Wilson’s orchestra launched the celebrations of Vaughan Williams’ centenary, gave a fresh account of the Enigma Variations and played music by Walton, Bax and Huw Watkins

The Guardian - UK

Proms 2022: back to normal, but why settle for ‘normal’?

The return of international orchestras and an increased focus on concerts outside London are welcome facets, but adventurous and ambitious programming feels in short supply. And, below, our pick of this year’s concerts

The Guardian - UK

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