The Latest Breaking News from Cannes

Fashion models, Instagram influencers and Russian oligarchs collide on a yacht — and some very extreme sickness ensues — in Swedish director Ruben Östlund’s “Triangle of Sadness.”

The violent legacy of the break-up of the Soviet Union is dissected in “The Hill” by Lina Tsrimova and Denis Gheerbrant, an astonishing documentary shot entirely on a gargantuan rubbish heap in Kyrgyzstan and screened this week at the Cannes Film Festival’s parallel section ACID.

Star power has been out in force at the 75th Cannes Film Festival

Ruben Östlund’s shipwreck comedy draws blood from a social scene strikingly similar to that at Cannes. ‘We urban Europeans are not a good audience,’ the director has told audiences at the film festival

The annual film festival will see star-studded premieres take place in the coming days

An adolescent girl slowly comes to terms with the abuse she endured from her father in Emmanuelle Nicot's powerful debut feature, “Love According to Dalva”, which screened this week at the 75th Cannes Film Festival. FRANCE 24 spoke to the Belgian director about tackling such a delicate subject and premiering…

George Miller reveals the inside story of his big-screen premiere, Three Thousand Years of Longing, based on an AS Byatt story

Cinema is a place where directors run wild with their imagination, transporting spectators to different dimensions. But it's often an occasion to magnify everyday life and all its facets. This means dealing with death and bereavement, sensitive topics treated differently by two of the key films screened at Cannes on…

The 15-minute film, mostly in English, is a lighthearted social satire that looks at different generations of men through a woman’s eyes 

Film-makers are holding up a mirror to France over its colonial past at the Cannes festival, helped by star power and a growing French readiness to face up to injustices committed notably in Africa. The colonization of Algeria and the horrors of the Algerian war of independence (1954-1962) deeply scarred…

James Gray’s autobiographical coming of age film “Armageddon Time,” starring Anthony Hopkins, Anne Hathaway and Jeremy Strong, has made the biggest splash of an American film not starring Tom Cruise at the Cannes Film Festival