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The Latest Breaking News from Antonio Pappano

The King has chosen music to ‘stir the soul’ for Coronation, says conductor Pappano

The King has chosen music for his Coronation to “stir the soul”, according to the man who will conduct the orchestra on the historic day.

Evening Standard

The week in classical: Siemens Hallé international conductors competition; LSO/ Hannigan; Turandot – review

A trio of young conductors vie for a job with the Hallé; Barbara Hannigan takes Mahler at his word; and Antonio Pappano makes a thriller of Puccini’s final opera

The Guardian - UK

Puccini: Turandot review – rare bonus material and vibrant playing make Pappano’s version stand out

Puccini’s original score was ‘finished’ by Franco Alfano, whose additions are heard uncut on this dramatic all-star recording

The Guardian - UK

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LSO/Pappano review – a serving of big-boned late-romantic symphonism

Barbican, London Pappano leads the LSO with terrifying finesse for Coleridge-Taylor, Strauss and Liszt works, in anticipation of his new role as chief conductor in 2024

The Guardian - UK

Royal Opera House announces Jakub Hrůša as its new music director

The Czech-born conductor will take over from Antonio Pappano in 2025. He talks exclusively to the Guardian about what shape the opera house will take under his musical leadership

The Guardian - UK

The week in classical: Aida; Candide; Manchester Collective: Weather – review

Verdi’s music reigns supreme in the Royal Opera’s austere new staging of Aida; a community Bernstein production raises the roof; and a cult 90s work has never felt more timely

The Guardian - UK

Otello at Royal Opera House: Russell Thomas is Covent Garden’s first black singer in the role

Russell Thomas had striking stage presence in this revival of Keith Warner’s production

Evening Standard

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The week in classical: Samson et Dalila; Lise Davidsen & Freddie De Tommaso with James Baillieu

Strength comes in many forms in the Royal Opera’s revelatory new Samson et Dalila; and two star singers in the ascendant hit all the high notes

The Guardian - UK

Samson et Dalila review – Saint-Saëns’ opera has style and a new star in SeokJong Baek

Richard Jones’ vibrant new production can’t compensate for the work’s dramatic weaknesses, but soloists and chorus alike are on top form, and conductor Antonio Pappano relishes the score’s melodiousness

The Guardian - UK

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