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The Latest Breaking News from Guitar World

“I saw the message and I was like, ‘Who the hell is this guy?’ He called me the next day and offered me a world tour”: How Yungblud bassist Silke Blansjaar got the gig of a lifetime – despite not playing bass

The Gibson Grabber-wielder was actually a drummer when she went from playing to a room of 100 to an arena of 6,000 overnight. She explains the golden rule of session work and why she likes to keep her rig old-fashioned

Guitar World

“I grabbed his hand saying, ‘Thank you for everything.’ He goes, ‘You were the only guitar player who said no to me’”: Nuno Bettencourt remembers his final exchange with Ozzy Osbourne – a reminder of the gig he once turned down

As a 15-year-old, Bettencourt auditioned to become Randy Rhoads’ replacement. When the gig presented itself years later, he declined

Guitar World

“He wanted to show me his really nice old Les Paul, and I just said, ‘I don’t like Les Pauls,’ and walked off”: When Joe Bonamassa was introduced to Joanne Shaw Taylor – who “offended” him on their first meeting

The two blues guitar greats crossed paths at a festival in 2008 – but Taylor wasn’t interested in what Bonamassa had to show her

Guitar World

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“I measure success by the number of knock-off clones I have – that gives me an idea as to how I’m perceived in the pedal world”: Robert Keeley on becoming one of the most imitated pedal builders in the biz – and the “smoking” drive he can't sell online

Keeley takes us behind the scenes at Keeley Electronics to discuss the evolution of a brand that brought us the industry standard compressor and some of the coolest stompboxes we've seen

Guitar World

“I said, ‘That’s my music.’ His manager said, ‘You’re a girl. You don’t have the money to fight this’”: Rita Coolidge alleges she helped write Eric Clapton’s Layla – but never got credit for it

In a resurfaced interview, Coolidge recalls the time she sought a songwriting credit for composing the song’s piano coda – but was rebuffed

Guitar World

“The first gig, they handed me a mayonnaise jar full of cocaine and said, ‘Welcome to the band’”: Blues survivor Walter Trout on wild times with Canned Heat, how John Mayall helped him get sober – and his death metal tone secret

As the blues veteran releases a fiery new album, Sign of the Times, and wrestles with his new gym regimen, he checks in to talk tone and share memories of a career like no other

Guitar World

“It’s clear that the pickups on this guitar are geared for the loud and lewd stuff”: Gretsch Electromatic CVT review

Gretsch revives a 1960s cult-classic, delivering sharp looks and aggressive tones at a price that’s accessible for all

Guitar World

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“Makes selling music gear more rewarding than ever before”: Reverb relaunches in the UK with reduced seller fees – promising players “more money for their music gear”

Musicians will now get more money for the gear they sell on the website, which also provides discounted shipping labels and UK market trend data

Guitar World

“Connecting directly to that golden era of guitar innovations”: Jackson pays homage to its early days with Pro Origins 1985 San Dimas series – featuring newly developed era-accurate pickups

Four new models boast fresh pickups based on early Jackson innovations

Guitar World

“I was instantly in a band because nobody wanted to play bass back then”: How Eddie Van Halen led to Les Claypool picking up the bass – and how he nearly joined Kirk Hammett’s band

The Primus bassist and Metallica lead guitarist attended the same high school – and very nearly ended up in the same band

Guitar World

“On the bass…” Spinal Tap recruit Tal Wilkenfeld and Thundercat for Jimmy Kimmel performance of Big Bottom

David St. Hubbins led a legion of bassists out onto the Jimmy Kimmel stage for a rendition of Spinal Tap’s 1984 track

Guitar World

“I’m gonna sneak some stuff in there to give it more personality”: Steve Morse injects Coldplay with some Deep Purple flair as he adds a guitar solo to mega-hit Fix You

The British pop rock giants don’t really do shred, so what happened when Morse got his hands on the track?

Guitar World

“It has had an interesting history. I don’t think it found its true voice until now”: PRS has resurrected its Mira model – and says it's better than ever

The budget-friendly and versatile solidbody was discontinued in 2013. Now called the S2 Mira 594, it’s back with some key upgrades

Guitar World

“Of all the artist-associated instruments I’ve been involved with, this has been my favorite journey”: A guitar once owned by Jimmy Page and given away in a magazine competition goes for over three times its estimate at auction

The 1957 Gretsch Chet Atkins 6120 was originally bought by Page in 1972 and won by a New Music Express reader

Guitar World

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Guitar World

“The guitar I play live is secretly a Squier. I replaced the neck plate – I was like, ‘I’m too big for this!’” How Frankensteined Fenders and vintage Gibsons supercharged the rise of Jack White-backed rockers Die Spitz

With a yin and yang guitar partnership, rarebreed pedals and a DIY attitude, the Texans’ blend of metal, punk and shoegaze is the latest addition to Third Man Records’ roster

Guitar World

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Guitar World

“If Leo Fender had released a Jazz Bass like this back in the ‘60s, it would have changed the entire history of popular music”: The inside story of Adrian Younge’s half-fretless, fuzz-loaded Fender Custom Shop Jazz Bass

Having collaborated with the likes of Jay-Z, Wu-Tang Clan and Kendrick Lamar, Younge joined forces with Master Builder Vincent Van Trigt to recreate his favourite bass sound

Guitar World

“I was drinking a lot and forgot that I bought it. The folks at Carter Vintage called me and were like, ‘You gonna come get this guitar?’” Marcus King on the vintage guitar he accidentally bought while drunk

King recently played Rory Gallagher’s famed white Fender Telecaster and Jeff Beck’s iconic Yardburst Les Paul

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Guitar World

“You get emails saying they’d like to try a guitar and you think, ‘It’s not going to be THAT Audley Freed, is it?… Then the penny drops”: How Ivison Guitars became Britain’s hottest high-end brand

With new staff, in-house pickups and the continuing success of the Dakota, there’s plenty to discuss. We grab Neil Ivison for a quick chat

Guitar World

“The player is not renting or subscribing to access the effect… It’s a purchase that lasts a lifetime”: The Boss PX-1 Plugout FX backlash has gone viral – but is it justified? We put the biggest criticisms to Boss – here’s what they had to say

We leveled 5 of the internet’s most common issues with the divisive PX-1 to its maker. Now Boss has set the record straight

Guitar World

"Check one out before someone realises they’ve miscalculated the price!" PRS S2 Mira 594 Satin review

An old friend returns to the PRS USA S2 line-up 18 years after it was first introduced. The Mira is back, but check the price!

Guitar World

“The only person who did a version of Summer of ’69 and did it justice was Taylor Swift”: Bryan Adams looks back on the time he crossed Fenders with the world’s biggest popstar on one of his most iconic hits

Adams recalls the time he joined Swift on stage to perform one of his most well-loved songs

Guitar World

“He recorded some of the most important and enduringly popular instrumental guitar music”: Joe Bonamassa pays homage to Duane Eddy – and reminds us why the “Titan of Twang” was a great blues player, too

After saluting the late, great Duane Eddy at his tribute show in Nashville, Bonamassa serves up a video and tab lesson that shows us what we can learn from a rock ’n’ roll trailblazer

Guitar World

“After Kirk introduced me to Greeny, it felt only right to return the favor”: Kirk Hammett let Al Di Meola play his iconic Greeny – so the fusion virtuoso let him play his prized Elegant Gypsy Black Beauty

The two guitar greats let each other have a go on their cherished Les Pauls

Guitar World

Sting's legal representatives claim Andy Summers and Stewart Copeland may have been “substantially overpaid” following lost royalties lawsuit

Summers and Copeland claim that Sting owes them “in excess of $2 million” for income made from the “digital exploitation” of the Police’s back catalog

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