The Women’s prize was founded in 1991 in bold riposte to the year’s all-male Booker prize shortlist. It’s funny to think how male-dominated the industry once was when you look at it now. There has been a real renaissance in literary fiction by women since then. Take last year’s Booker prize shortlist where the only male writer nominated was Percival Everett for his brilliant book James.
That women dominate the literary landscape has not diminished the need for the Women’s prize, however. In fact, I would say it has grown in boldness and depth, now taking on non-fiction, a world still dominated by men. The prize has also launched their first outstanding contribution award, which this year was won by the inimitable Bernadine Evaristo.
This year’s shortlisted books are a testament to the depth and variety of fiction being written by women. From a multi-generational tale of one Iranaian family to a daring and laugh-out-loud comedy about the rehabilitation of Isis brides by a researcher who worked for the UN doing just that. It serves as a perfect summer reading list. I have read four of the books so far and have loved every single one for very different reasons.
This year’s winner, The Safekeep by Yael van der Woeden, is a queer romance exploring the lesser-documented consequences of the second world war in the 1980s Netherlands. It’s a book I have gifted several times already and might be my favourite book of 2024. I would also recommend reading last year’s winner, Brotherless Night by V.V. Ganeshananthan, which has made its way slowly around The Conversation newsroom.
Read more: Women's prize for fiction 2025: six experts review the shortlisted novels
Scotland on screen
Set in Edinburgh, Netflix’s Dept. Q follows arrogant maverick detective Carl Mork (Matthew Goode) whose hubris got him shot through the neck, his partner paralysed and a rookie officer killed. Back at work after this horrifying ordeal, he’s wracked with survivor’s guilt and more than a touch of post traumatic stress disorder. He’s been banished to the basement to lead a new cold case unit.
Surprisingly, instead of being the fool’s errand his commander thinks Dept. Q will be, Mork and his rag tag team find themselves suited to this sort of work. Rather than throw him completely off his game, his new obsessive qualities and hyper-awareness of negative stimuli actually make him better at his job. Our reviewer, an expert in psychological vulnerabilities, analytical thinking patterns and cognitive processing styles, thoroughly enjoyed the show and found it really chimed with his research into how trauma can change the brain.
From a Scottish detective crime thriller series to a Scottish samurai-western film. Yes, you read that right. Tornado is a revenge tale about a young samurai performer on the run from a gang of bandits in 18th-century Scotland. It might seem like an odd splicing of genres, but in his review film studies scholar Jonathan Wroot argues that the two have a long-shared history. Both westerns and samurai films envision a world full of lone warriors, greedy gangs, wild landscapes, epic struggles and, of course, violence.
Read more: Tornado is a Scottish samurai-western film – genres with a long-shared history
Tornado is in cinemas now
Big birthdays and news
This year marks the 250th birthday of Jane Austen and JMW Turner. Though the pair never met, both were great documenters of Regency England. A new exhibition at Leeds’s Harewood House explores the common threads in their work in relation to the cultural and societal significance of British country houses and their landscapes.
At Austen and Turner: A Country House Encounter, visitors will be able to look upon rarely seen paintings and manuscripts, including the unfinished manuscript of Austen’s last work, Sanditon. Our reviewer, an expert in literature, found it wonderfully brought to life the reality of the landed aristocracy of the time. It’s sure to move anyone who has an interest in art and history.
Our final recommendation is our own podcast. This week a series of Conversation products were nominated at the Publisher podcast and newsletter awards, including Something Good. While we didn’t win, The Conversation did take home the big podcast prize, being named podcast publisher of the year.
The Conversation Weekly talks to academics about their discoveries and explores the big questions they are still trying to answer.
This week we take you to Indonesia where conservation scientist Hollie Booth trialled a programme paying fishermen to release any sharks and rays accidentally caught in their nets in the hope it would help to keep more alive. Listen to Booth and her colleague M. Said Ramdlan discuss the unintended consequences of the incentive programme.
We also can’t recommend the limited series podcast Scam Factories enough, which took home best investigative podcast. The three-part series takes you inside the world of scammers, many of whom are often victims too.
Read more: Scam Factories: the inside story of Southeast Asia's brutal fraud compounds
This article was originally published on The Conversation. Read the original article.
