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The Guardian - UK
The Guardian - UK
Lifestyle
Skye Sherwin

Pieter Bruegel the Younger’s Visit to the Farmhouse: imitation can be flattery


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Have a peasant day. Photograph: Dan Brown/© Holburne Museum

Bare life

As hearty as a bowl of broth, this farmhouse has all the hallmarks of the Bruegelian vision. Well-heeled visitors in gowns and ruffs have come to see a new baby, breast-fed amid household bustle.

Like father, like son

Let’s be clear, though: it’s not the Bruegel you might be expecting. While Pieter Bruegel the Elder turned peasant life into high art in the wake of the Reformation, this original painting is by his son. Bruegel the Younger made his living turning out copies of his father’s work.

There’s no one quite like Grandma

It may come as a surprise, then, that the Younger was just five when his father died. It’s thought that his grandmother, Mayken Verhulst, one of pre-20th century art history’s few women, may have been his first teacher.

On one’s merits

While the copyist rarely achieved the dynamism or mystery of the father’s hand, he preserves plenty of engrossing historical and human details.

The Holburne Museum, Bath, to 4 June

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