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Tribune News Service
Tribune News Service
Entertainment
Cary Darling

Movie review: 'Dog Eat Dog's' bite is not as deep as its bark

The first 15 minutes of the crime thriller "Dog Eat Dog" is so boisterously, deliriously and violently over-the-top _ part Tarantino, part "Natural Born Killers," part what-the-heck-is-going-on _ that the film earns some grudging respect simply for being so outrageous.

That "Dog" is directed by the once notable Paul Schrader ("American Gigolo," "Hardcore," "Blue Collar"), stars Nicolas Cage and Willem Dafoe in enjoyable B-movie mode, and features a soundtrack that veers from classic hip-hop (Egyptian Lover's "Egypt, Egypt") to jazz (Cal Tjader) gives it an extra jolt of stylish energy. Unfortunately, though, "Dog Eat Dog's" bite is not as deep as its bark.

Troy (Cage), Mad Dog (Dafoe) and Diesel (Christopher Matthew Cook) are three low-life, ex-con friends on the lookout for one large, final score. They think they've found it when they're approached about a babynapping scheme that could get them big bucks.

Of course, nothing goes as planned.

Written by Matthew Wilder and based on a pulp novel by actor Edward Bunker (he played Mr. Blue in "Reservoir Dogs"), "Dog Eat Dog" is at its best when it's both strangely fascinating and repellant, leaving the viewer unsure of what's coming next. But, like a fat tire with a nail, it loses air as it goes along and you're just left hoping that Cage and Dafoe bought themselves something nice with their paychecks.

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