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Digital Camera World
Digital Camera World
Matthew Richards

Leofoto LH-36LR Ball Head review: a compact, low-profile ball head with a weighty 18kg / 40lb load rating

Leofoto LH-36LR Ball Head.

Photographic retailers and other online outlets are awash with cheap Chinese ‘me too’ products that are vaguely similar to big-brand items, but at a fraction of the price. Leofoto is a different kettle of fish, so to speak. Yes, it’s a Chinese brand, from a company by the name of Guangdong Laitu Imaging Technology Co. that was founded back in 2014. But no, they don’t make cheap knock-off products. From the outset, the company has concentrated on making some of the best tripods for photographers and best carbon fiber tripods on the market and the LH-36LR sets out to be one of the best ball heads that money can buy. And unlike many Chinese offerings, it costs serious money to buy.

The Leofoto LH-36LR is all about seriously smart design, excellent build quality and solid performance. (Image credit: Matthew Richards)

Leofoto LH-36LR Ball Head: Specifications

Leofoto LH-36LR Ball Head: Price

For the sake of reference, one of my all-time favorite ball heads is the Manfrotto XPRO Ball Head. It’s an up-market, very substantial and high-performance head that’s available with Manfrotto’s proprietary 200PL-14 quick-release plate for $199 / £152 / AU$311 or as a ‘Top Lock’ edition with an Arca-Swiss type QR plate at $249 / £193 / AU$443. The Leofoto LH-36LR Ball Head costs $179 / £170 / AU$319, and comes complete with an Arca-Swiss type QR plate, similar in price to the more expensive version of the Manfrotto offering.

Leofoto LH-36LR Ball Head: Design & Handling

The low-profile design of the Leofoto LH-36LR ball head aims to enhance stability and it certainly has a heavy-duty load rating, equating to 18kg / 40lb. The ball itself, at the center of the head, is generously proportioned at 36mm / 1.42”, and machined to a tight tolerance of 0.01mm. Again, this helps with stability and smoothness of movement, as do the high-grade materials used in the head’s manufacture. In the main, it’s based on SUS 304 stainless steel which is hard anodized in black for a tough and attractive finish.

Large and grippy, the main locking knob is placed on the left hand side of the head. (Image credit: Matthew Richards)

The main locking knob is large and comfortable to use, with or without gloves on. It only needs minimal rotation to lock or unlock the ball and enables smooth, free movement. Directly opposite the main locking knob on the other side of the head are two smaller knobs. The upper knob is for adjusting the friction of the ball’s movement within its socket, greater friction better suiting heavyweight camera and lens combinations. The lower locking knob is the panning clamp/release.

From top to bottom on the right hand side are the adjustable friction damper and the pan release knob. (Image credit: Matthew Richards)

The panning base operates with smooth precision and has a calibrated scale marked in 15-degree intervals, with longer lines at every 5 degrees and shorter lines at interim 2.5-degree intervals. These are laser-engraved, continuing the high-quality theme.

The full 360-degree panning scale is laser-engraved. (Image credit: Matthew Richards)

The base for connecting the head to a tripod has a diameter of 52mm / 2/05", suiting fairly heavy-duty tripods which match the load rating of the head. There’s the typical 3/8” threaded socket for securing the head, and it’s supplied with a 1/4” adapter for use with tripods that have a smaller fixing stud.

The wide-diameter based and 3/8” brass socket are a good match for heavy-duty tripod legs. (Image credit: Matthew Richards)

An unusual feature of the ball head is that it has two cutouts placed at different angles at the front, rather than just one. This enables more freedom with shooting at extreme angles, or fully vertical upwards and downwards, as well as for switching from landscape to portrait orientation shooting. Given the low-profile design of the head, it also helps to you’re your options open if one of the drop-notches happens to be positioned over one of the tripod legs.

The dual drop-notches ensure accessibility at any rotational setting of the panning mechanism, where the tripod legs might impinge on one of the notches. (Image credit: Matthew Richards)

Up on top, there’s an Arca-Swiss type cradle for holding the quick-release plate. Again, there are helpful markings from a central zeroed position to +/-20mm to the left or right. A bubble level is also featured, to aid leveling of the camera.

The camera platform features a calibrated scale and a bubble level. (Image credit: Matthew Richards)

One thing that’s often a chore with Arca-Swiss type quick release systems is that there can be a lot of screwing and unscrewing involved for fitting and removing the plate. The Leofoto speeds things up with a simple lever at the rear of the cradle. Push it one way and it’s firmly locked in place, fully the other way and it’s quick and easy to remove the plate.

Halfway locking lever position (Image credit: Matthew Richards)

At the locking lever’s halfway position (shown above), the QR plate is loosened but, as a security measure, remains fixed to the cradle, while pins at either end of the QR plate avoid it accidentally slipping out sideways. To remove the plate, you need to fully sift the lever from one side to the other, as shown below.

Full release position (Image credit: Matthew Richards)

The kit is nicely finished off with a padded drawstring pouch which holds the head as well as the supplied Allen wrench and multi-tool, which are supplied as part of the overall kit.

If you have more than one tripod head or detach it for stowage, you can make use of the drawstring pouch supplied. (Image credit: Matthew Richards)

Leofoto LH-36LR Ball Head: Performance

The Leofoto LH Series LH-36LR ball head is advertised as delivering silky-smooth movement, and that was certainly my experience during testing. Unlike some ball heads, there’s no greasy lubrication applied to the ball and it’s as dry as a bone, but it feels thoroughly well lubricated regardless.

A downside that I’ve experienced with many ball heads is that if I hold the camera where I want it to be, then tighten the main clamp, there’s noticeable sagging when I let go of the camera. That really works against you when you’re trying to position a tripod head precisely. I’m happy that I didn’t find any sagging at all with the Leofoto ball head, which is a major plus point.

There’s no hint of sagging when tightening the clamp and letting go of the camera, even when using a fairly hefty lens. (Image credit: Matthew Richards)

Just as with the main ball and socket arrangement, the panning mechanism also works with a really smooth and fluid feel. That’s another upside for shooting video instead of just stills. The panning section is at the bottom of the head, rather than up on top, so you do need to level the tripod legs accurately before panning, otherwise your horizon will start to slant when you’re panning.

My only slight niggle with the head is that I found it easy to accidentally adjust the friction damper when handling the head or stowing it away. It can be a little frustrating if the friction for the ball and socket change as if on their own but it’s not a major issue. All in all, performance is absolutely excellent.

The dual drop-notches help to ensure that one of the tripod legs doesn’t interfere with portrait orientation shooting, given the low-profile nature of the head.. (Image credit: Matthew Richards)

Leofoto LH-36LR Ball Head: Verdict

During testing, I became an instant fan of the Leofoto LH-36LR Ball Head. It’s nicely compact and lightweight but a real over-achiever in terms of sturdiness and load-bearing ability. It’s cleverly designed, thoroughly well made and luxuriously finished. I found the friction adjustment knob a little too easy to nudge accidentally but overall performance is absolutely superb. It’s certainly not cheap to by but is nevertheless very good value for money.

(Image credit: Matthew Richards)

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