British artist David Hockney, who died at the age of 88 on Thursday, fell in love with the French countryside in the last few years of his life. He settled in Normandy in 2019, where he lived during the Covid-19 lockdown and was able to rededicate himself to nature over a year of solitude.
British artist David Hockney, who has died at the age of 88, spoke to AFP in 2021 about spending the months of the Covid-19 pandemic lockdown in France.
They were, he said, a welcome opportunity to devote himself to observing nature.
"I really enjoy looking," he said.
"If you look at the world, it's very beautiful. But you've got to have a clear head and there's lots of things that stop you looking."
Hockney met journalists at the Musée de L'Orangerie in Paris, which was displaying the fruits of that period in an exhibition, "A Year in Normandy".
Read moreDavid Hockney's lockdown paintings of Normandy captivate Parisians
It featured a 91-metre-long frieze made from some of the 220 pictures he created during the strange year of solitude in 2020.
It is a clear nod to the 19th-century masters of landscape, particularly Claude Monet, occupying some of the neighbouring rooms in the museum.
Read moreCelebrated British contemporary artist David Hockney dies at 88
"When the lockdown came I didn't mind at all," said Hockney, resplendent in his trademark round-rimmed glasses and a checked suit.
"We were in an isolated place and I worked every day because there were no visitors. Visitors put me off, get in the way."
All of the drawings were made on an iPad, which had become his preferred way to make art – much more than the photographs that used to be so central to his work.
He talked of how he loved drawing on the iPad, freeing him up from the paraphernalia of regular painting.
"It's a new technique," he said. " don't think there's many people doing it."
'Nature is the source'
The dazzling colours of the Normandy countryside were a perfect fit for Hockney, who made his name with sun-soaked scenes from California in the 1960s.
Though known for his jet-set lifestyle, sartorial elegance and large retinue of friends, he was always an industrious worker.
And he was delighted to have time to devote himself to nature, which he said had become his principal muse.
"The first day we came to Normandy, we watched a marvellous sunset over the Seine estuary. We had the clarity of Van Gogh."
He dismissed the idea that landscapes were no longer an interesting subject for art.
"Nature is the source of everything," he said.
"When I went to Yorkshire 16 years ago, people said 'You can't paint landscape today'. I said 'That's just because of the paintings – the landscape itself can't be boring'.
"The depictions of it have become boring, that's all. You've got to make them a bit different – and that's what I've tried to do."
(FRANCE 24 with AFP)
