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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

Fruit scrumping, cavaliers and filth in Westminster – the week in art

The Ethics of Dust
Decay and disillusion... The Ethics of Dust. Photograph: Marcus J leith Photographer/Marcus J Leith

Exhibition of the week

Jorge Otero-Pailos: The Ethics of Dust
This latex cast of a medieval wall captures the dust and dirt of centuries of British parliamentary history. It is a timely artwork in the Palace of Westminster at a time when the mother of parliaments is threatened by architectural decay and public disillusion.
Westminster Hall, Palace of Westminster, London, until 10 September.

Also showing

Hurvin Anderson
Fruit scrumping and barbershops feature in Anderson’s “dub versions” of cultural history in an exhibition that explores his British and Jamaican heritage.
New Art Exchange, Nottingham, from 2 July–18 September.

BP Portrait award
Oily in every sense, the quality of painting here is hardly mind-blowing, yet it is impressive to see how many people still want to set brush to canvas.
National Portrait Gallery, London, until 4 September.

A Beautiful Disorder
Outdoor works by artists from Greater China, including Bi Rongrong, Cui Jie, Jennifer Ma Wen, Li Jinghu, Lu Pingyuan and more, in the leafy setting of this pastoral sculpture park.
Cass Sculpture Foundation, Goodwood, 3 July–6th November.
Etel Adnan
Beirut-born artist whose paintings, poems, tapestries and texts bear witness to the anguish of modern history.
Serpentine Sackler Gallery, London, until 11 September.

Masterpiece of the week

Lord John Stuart and his brother, Lord Bernard Stuart
Lord John Stuart and his brother, Lord Bernard Stuart – on show at the National Gallery. Photograph: Fixed size image thumbnail Lord John Stuart and his Brother, Lord Bernard Stuart about 1638, Anthony van Dyck/National Gallery

Antony van Dyck – Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
This painting is haunted by the blood of civic strife. Both of these elegant young men – the very epitome of “cavaliers” – were soon to die fighting on the Royalist side in the English civil war. Van Dyck’s opulent, silky, portrait reminds us of a long ago time when peaceful Britain fell apart.
National Gallery, London WC2N.

Image of the week

Image taken from Richard van Emden’s book, The Somme: The Epic Battle in the Soldiers’ own Words and Photographs
Taken from Richard van Emden’s book, The Somme: The Epic Battle in the Soldiers’ own Words and Photographs, this image was colourised in the Daily Mail this week – symbolic of a land reducing its own history to a hollow patriotic fiction. Photograph: Richard van Emden

What we learned

The aforementioned Ethics of Dust is a mind-blowing metaphor for post-Brexit Britain

The British Museum is more important than ever after Brexit, says its director

Renzo Piano’s new building in Athens has the thinnest concrete roof ever – but is running into trouble

Georgia O’Keefe was a snappy dresser

Antony Gormley is fretting about his legacy, saying: “It’s quite possible that my whole project is very flawed”

Genesis P-Orridge is bringing the occult back to the art world

One of the year’s most exciting-sounding festivals, Art Night, is on its way to London

Michelangelo’s naked Christ is also heading to the capital, in 2017

Your art on the theme of “illuminating” was amazing

Jo Ractliffe’s best photo is of clothes hanging from a tree in postwar Angola

Ragnar Kjartansson is the wild man of Icelandic art

Dan Holdsworth’s digital landscapes remind us of our thawing planet

Kanye brought out a new video which riffed on a painting by Vincent Desiderio

Duke Riley turned the humble New York pigeon into an art star

Get involved

A-Z of readers’ art – share your art on the theme of juxtaposition

Don’t forget

To follow us on Twitter @GdnArtandDesign

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