A Malaga competition contender, Antonio Chavarrías returns to the festival with his latest film, 'Holy Mother' ('La abadesa'). The story is set in the 9th century and follows Emma, a newly appointed abbess, as she faces the challenge of repopulating and revitalizing frontier lands on the edge of Muslim territories. The film was produced by Oberon Cinematográfica in collaboration with Wanda Visión, Icono 2020 AIE, and Saga Film.
The film centers around Emma, portrayed by Daniela Brown, a young abbess with unwavering conviction and resolve. As Emma navigates societal expectations and political intrigue, she encounters doubters and challenges within her own community.
The film's intimate portrayal of Emma's journey is complemented by the character Eloisa, played by Blanca Romero, who represents a different perspective on womanhood and passion.
Chavarrías' approach to filming involved embracing spontaneity and allowing external factors like weather and improvisations to shape the narrative. The film's setting in the harsh winter landscapes of Huesca and Lleida adds to the authenticity and intensity of the story.
Chavarrías' diverse filmography showcases his versatility in storytelling, with 'Holy Mother' being a unique addition to his repertoire. The film explores themes of faith, gender, and power through the lens of three women fighting against imposed destinies.
The decision to film in extreme weather conditions was intentional, adding a layer of realism to the portrayal of life in the 9th century. The harshness of the environment, including poverty and starvation, contributes to the film's overall impact and authenticity.
'Holy Mother' invites audiences to engage in conversations about resilience, identity, and the struggle for survival in a challenging historical context. The film's open-ended narrative allows viewers to draw their own conclusions and interpretations, sparking thought-provoking discussions about the characters' journeys and choices.
