'Silhouettes against the vast reflective ceiling during Olafur Eliasson's The Weather Project'
Photograph: Peter Parker
On Louise Bourgeois: 'I wanted to show these wonderful sculptures in direct relationship with the space'
Photograph: Andy Bullock
Photographing Anish Kapoor
Photograph: Steve Regis
'My nine year old daughter "scared" by the supposed danger of the Doris Salcedo exhibition'
Photograph: Anne Hopewell
'I took this picture about seven years ago in the late afternoon and was struck by the people coming into the hall, silhouetted against the low sun. I like the way it appears to be black-and-white but a man is carrying a blue plastic bag on the right, if you look carefully'
Photograph: David Stevens
On Doris Salcedo: 'This was taken with a small camera'
Photograph: John Watson
Photographing Rachel Whiteread
Photograph: Rob Watling
On Dominique Gonzalez-Foerster: 'We were amused by the nuclear bunker aesthetic, and being fond of cold war-era end-of-the-world films, we tried to recreate a still from one such imagined movie'
Photograph: June Kirbis
'I visited the Carsten Höller installation in January 2007 with some trepidation, knowing that both my fear of heights and my claustrophobia would guarantee my failure to hurl myself down even the most modest of the chutes. But just looking up at the spiralling tubes of metal and perspex, the light glinting off them as braver souls plummeted delightedly, produced enough of a sensation of giddiness to persuade me that I had actually taken part'
Photograph: Marco Livingstone
On Doris Salcedo: 'My partner took this photo of my son Louis Wood and me. We had to lie on the floor for quite some time waiting for a space in the crowd. It was great fun and we started a trend: when we finally left, there were a dozen or so people rolling around on the floor trying to get the same shot'
Photograph: Elvira Tevini
On Olafur Eliasson: 'What struck me about this installation was not so much the enormous sun but the way different people reacted to it. The situation I photographed seemed to be so bizarre, and even more so if you took it out of context'
Photograph: Roy King
On Rachel Whiteread: 'My three-year-old grandson Rowan wonders when he gets to taste the sugar cubes'
Photograph: Rachel Whiteread
'The view from the Turbine Hall looking out'
Photograph: Andrew Pegram
'Visitors on the Turbine Hall staircase'
Photograph: Peter Speakman
Photographing Doris Salcedo
Photograph: Nick Ansell
'A passing lady caught between the green and red plastic drapes of Dominique Gonzales Foerster's work, 2058. I felt I was looking into one surreal world from another'
Photograph: KJ Keating
'This is a shot taken on 20 April this year. I was not the only person on the balcony speculating as to whether the sight below was preparation for a new installation, or the piece itself'
Photograph: Frances Clegg
