Glastonbury 2025 is under intense public and political scrutiny following performances by Bob Vylan and Kneecap that have sparked a police investigation, government condemnation and widespread debate over freedom of speech at music festivals.
Bob Vylan's Glastonbury Chants Spark Controversy
During their Friday night set on 28 June, British punk duo Bob Vylan delivered a performance that quickly drew national attention. Frontman Bobby Vylan shouted 'Death to the IDF,' a slogan referring to Israel's Defence Forces while waving a Palestinian flag.
The chant was broadcast live on BBC iPlayer, remaining online for hours before being removed.
Another chant, 'From the river to the sea, Palestine will be free,' was also heard, a phrase that critics say denies Israel's right to exist. Supporters argue it represents solidarity with Palestinians. The combination of politically charged messages and live broadcast has triggered a backlash and raised questions about the limits of protest in public performances.
Kneecap Performance Criticised by Officials
Irish rap group Kneecap followed with a performance that featured pro-Palestinian chants and political messages. The trio led the crowd in shouting 'Free Palestine' and reportedly directed an expletive-laden chant at Prime Minister Keir Starmer. According to the BBC, the group made 'several political statements' during their set, which was not livestreamed but was later made available on BBC iPlayer following editorial review. A spokesperson for the BBC confirmed that their content team had reviewed the footage before publication.
Kneecap's politically charged messaging is not new. As also noted by the BBC, member Liam Óg Ó hAnnaidh (Mo Chara) is currently facing charges under the UK Terrorism Act in connection with allegedly displaying a Hezbollah flag at a separate event earlier this year. The group's stance on Irish politics, Palestine, and freedom of expression has repeatedly drawn both support and criticism, placing them at the heart of ongoing public and legal scrutiny.
Police and Government Launch Investigations
Avon and Somerset Police have confirmed a criminal investigation is underway to assess whether any public order offences or hate crimes occurred during either set. Officers are reviewing video footage, social media posts and official complaints.
Government officials reacted swiftly. Prime Minister Keir Starmer labelled the chants as 'appalling hate speech,' while Culture Secretary Lisa Nandy called the BBC's broadcasting of the content 'unacceptable.' Health Secretary Wes Streeting also demanded a formal apology from the BBC.
The BBC admitted it had failed to remove the offensive content swiftly and is cooperating with Ofcom, which has launched an inquiry after receiving widespread public concern.
Artists Defend Their Messages
Both artists have responded publicly. Bob Vylan defended their performance on social media, stating that their message was about resisting oppression and injustice, not inciting violence. 'We teach our children to speak up for the change they want and need,' he posted.
Kneecap reiterated their solidarity with Palestine and criticised the political response, framing it as censorship. The group has consistently incorporated political themes into their music, particularly regarding Irish identity and anti-colonialism.
Debate Over Freedom of Speech in Music
The controversy has reignited a broader debate on freedom of expression, especially in live events and broadcasts. Supporters say music has always been a platform for political commentary. Critics argue that performances must respect public sensitivities and not cross into incitement or hate speech.
Slogans like 'From the river to the sea' are central to this tension, interpreted by some as calls for peace and by others as inflammatory.
What Happens Next?
Police continue to gather evidence and will determine whether charges will be filed. The BBC's internal review and Ofcom's investigation could lead to new guidelines for future festival broadcasts.
As Glastonbury defends its stance on free speech and inclusivity, the festival now finds itself navigating the fine line between protest and provocation in front of a global audience.
