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The Guardian - UK
The Guardian - UK
Entertainment
As told to Rich Pelley

‘Who would not want to dance to Boogie Wonderland?’: Alison Balsom’s honest playlist

Alison Balsom.
‘There’s such clever composition to Good Old-Fashioned Lover Boy’ … Alison Balsom. Photograph: Pip

The first song I fell in love with
When I was seven and I started playing the trumpet, my mum would take me to the library. They just happened to have Afro by Dizzy Gillespie, and I fell in love with Con Alma, which Dizzy plays on the trumpet with so much soul that it feels like a voice. I remember thinking: Wow, this is something else.

The song I do at karaoke
I can recognise the melodies in most songs because I have the ear of a musician. But I don’t really listen to the words – I feel having the words in front of me would throw me off, so I’ve never done karaoke. If I had to, I’d probably do an old classic like Crocodile Rock by Elton John.

The song I inexplicably know every lyric to
My whole family has always loved Queen. When Queen played Knebworth in 1986, my granny and grandad lived in the village, so we felt like they’d come to play to us. My mum, dad, aunty and uncle all went. We were left behind, but could hear it across the fields. Even as a young kid if we were on a long car journey, I’d insist on having Good Old-Fashioned Lover Boy on five times in a row.

The best song to play at a party
I went to see Earth, Wind & Fire as a teenager and was amazed by their horn section – the Phenix Horns. Who would not want to dance to Boogie Wonderland? It’s a classic dancefloor boogie moment.

The song I’ve always hated
I don’t know why I hate Merry Xmas Everybody by Slade so much. Maybe it’s because you can’t get away from it. It reminds me of late-night desperate Christmas shopping when everyone’s run out of time.

The song that makes me cry
Iestyn Davies singing Rodelinda by Handel with the English National Opera. Davies has the most beautiful countertenor voice and is one of the greatest opera singers in the world. It’s a ravishing recording and I feel privileged that he’s my friend.

The song I’d like played at my funeral
I argue with my manager: what is the ultimate, greatest piece of all time? She says Mozart’s Requiem; I say Bach’s St Matthew Passion. They are both masterpieces. So I’ll have both – even if it does make the funeral seven hours long.

Alison Balsom features on Last Night of the Proms on Saturday 13 September, Radio 3 from 7pm, BBC Two from 6.55pm and BBC One from 8.30pm.

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