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South China Morning Post
South China Morning Post
Entertainment
James Marsh

When I Get Home, My Wife Always Pretends to be Dead film review: plenty of laughs, and a message about marriage too

Nana Eikura (left) and Ken Yasuda in When I Get Home, My Wife Always Pretends to Be Dead (category IIA, Japanese), directed by Toshio Lee.

3/5 stars

Inspired by a real-life online query that went viral in Japan and spawned a song and bestselling manga, When I Get Home, My Wife Always Pretends to be Dead is a touching and insightful exploration into the makings of a successful marriage.

After his first marriage stalled in its third year, unassuming salaryman Jun (Ken Yasuda) remarries, this time to Chie (Nana Eikura), a scatterbrained small-town girl many years his junior. All seems to be going well until Jun returns home from work one day to find Chie prostrate on the living room floor, covered in blood, a knife protruding from her chest.

It is all just a ruse, and Chie leaps to her feet with a giggle, but offers no kind of explanation. This starts a pattern of behaviour, and Jun is greeted by a series of increasingly elaborate death scenarios, involving everything from crocodiles and aliens to Egyptian tombs. Jun is confounded by his wife’s behaviour, and as their third anniversary looms, fears their relationship may also be doomed.

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Director Toshio Lee (Detroit Metal City) wrings plenty of laughs from Chie’s morbid cosplay antics, aided by a pair of delightfully contrasting performances from Eikura and Yasuda. The narrative inevitably delves into Chie’s past in search of an explanation for her behaviour, and pacing does suffer somewhat as a result.

Nana Eikura in When I Get Home, My Wife Always Pretends to Be Dead.

But the film’s message cannot fail to resonate: communication, understanding and a healthy sense of humour are vital to a successful relationship. An impassioned death-bed performance is also appreciated.

When I Get Home, My Wife Always Pretends to Be Dead. opens on September 13

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