Every week a Guardian Money reader submits a question, and it's up to you to help him or her out – a selection of the best answers will appear in Saturday's paper.
This week's question
I've just booked tickets to see Peter Kay in London ... in April 2011. I'm fed up having to give them money so far ahead – and how do venues justify the booking charges anyway? Are there ways of avoiding the fees? And am I stuck with using the main agencies (Ticketmaster et al)? What are people's experiences of sites like Seatwave?
What are your thoughts?
