The prize was officially awarded for State Britain - Wallinger's meticulous re-creation of peace campaigner Brian Haw's anti-war protest in Parliament Square. Wallinger is seen here in front of his installation at Tate Britain earlier this year. The work is now in storagePhotograph: Cathal McNaughton/PAThe Importance of Being Earnest in Esperanto, 1996, by Mark Wallinger, (videoprojection, 100 chairs), on display at the Museum for Contemporary Art in Basel, Switzerland in June 2006Photograph: Georgios Kefalas/EPAView of Wallinger's Ecce Homo, a statue of Christ that occupied Trafalgar Square's fourth plinth during 1999Photograph: Graham Turner/GuardianWallinger said his Trafalgar Square sculpture of Christ was not meant to be perverse or tongue in cheek. 'I wanted to show him as an ordinary human being. Jesus was at the very least a political leader of an oppressed people and I think he has a place here in front of all these oversized imperial symbols' Photograph: Graham Turner/GuardianIn 2003, Wallinger decorated Tate Britain's Christmas tree with rosaries. The tree he chose was an aspen (populus tremula), which is the variety of wood used to make the cross on which Christ was crucifiedPhotograph: Sarah Lee/GuardianAn installation by Mark Wallinger for the Thatcher exhibition at the Blue Gallery in 2003. The exhibition explored the legacy of Margaret Thatcher and included work by past Turner prizewinners Martin Creed and Keith TysonPhotograph: Graham Turner/GuardianMark Wallinger and Toby Chamberlain placed a replica Tardis on the lawn of the Museum of Natural History in Oxford in May 2001. Wallinger also made a mirrored and stainless steel version of Dr Who's 'police box' entitled Time and Relative Dimensions in Space the same yearPhotograph: Graham Turner/Guardian
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