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Reuters
Reuters
Business
Brenna Hughes Neghaiwi

'Upside down' artist Baselitz celebrated in retrospective

Director Sam Keller (L) of the Fondation Beyeler listens to German artist Georg Baselitz during a media preview of the exhibition 'Baselitz' in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann

RIEHEN, Switzerland (Reuters) - Georg Baselitz, a provocative German artist who inspired a generation with challenging depictions of the Nazi era and the post-war division of Germany, is being honored by a retrospective to mark his 80th birthday.

Born Hans-Georg Kern in the German town of Deutschbaselitz in 1938, Baselitz gained worldwide fame in the 1970s with his portraits - often bizarrely showing his subjects upside down - which he painted in a neo-expressionist style.

German artist Georg Baselitz poses for photographers in front of his painting 'Avignon ade, 2017' during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann

"Seeing 60 years of one own's pictures is a difficult undertaking," Baselitz said at a news conference marking the opening of the exhibition at the Swiss Fondation Beyeler in Riehen, near Basel.

"But I don't recognize it (the art) any more'. And it's almost as if I were to re-encounter myself now as a baby, I would not recognize myself."

In a manifesto in 1961 when he was 23, he said he was "swollen and bloated" with memories of the Nazi era - his father had been a party member - and the aftermath of a divided Germany and the socialist East, which he fled in 1957.

German artist Georg Baselitz poses for photographers in front of his painting 'Avignon ade, 2017' during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann

His early paintings in the 1960s, he said, were "aggressive, wholly malicious", referring to works which at the time German prosecutors seized as lewd.

In later years the uneasy portraits of the 1960s and 1970s evolved into sprawling works in dark and pastel tones, and he became famous for his 'upside down' paintings - a quirk of presentation he has pursued to the present day.

Bringing together some 90 paintings and 12 sculptures spanning from 1959 through the present day, the exhibit is open to the public from Jan. 21 through April 29.

People take pictures of paintings and sculptures of German artist Georg Baselitz during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann

(Editing by Richard Balmforth)

German artist Georg Baselitz talks during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann
Paintings and sculptures of German artist Georg Baselitz are shown during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann
A woman stands in front of the paintings 'P.D. Feet, 1960-63' and 'P.D.Foot-Interior, 1963' (R) of German artist Georg Baselitz during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann
A woman walks past the paintings 'Portrait of Elke I, 1969' and 'Da. Portrait (Franz Dahlem), 1969' (R) of German artist Georg Baselitz during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann
Paintings and sculptures of German artist Georg Baselitz are shown during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann
People stand in front of the paintings 'Elke, 2012' and 'On the Mountain, Pointed, 2010' (L) of German artist Georg Baselitz during a media preview of the exhibition 'Baselitz' at the Fondation Beyeler in Riehen near Basel, Switzerland January 19, 2018. REUTERS/Arnd Wiegmann
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