Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Dave Simpson

UNKLE: The Road, Part 1 review – cinematic, orchestral and pensive

Strings-soaked symphonic goth and dreamlike trance … UNKLE.
Strings-soaked symphonic goth and dreamlike trance … UNKLE. Photograph: Derek Bremner

When James Lavelle ran hip 1990s label Mo’ Wax, his genre-busting UNKLE project called on stars from Thom Yorke to Ian Brown, before Lavelle’s career nosedived in a blizzard of cocaine. Today, the guest list – ranging from soul singer Eska to Tricky-like rapper Elliott Power – isn’t so starry, but it is effective, and Mark Lanegan delivers the strings-soaked symphonic goth of Looking for the Rain with typical aplomb.

Elsewhere, Lavelle’s bankruptcy has brought reflection. UNKLE’s cinematic first album in seven years opens with actor Brian Cox asking, “Have you thought about the mistakes you’ve made?”

Eska and the Duke Spirit’s Liela Moss purr the title track and Sunrise Always Comes Around into, respectively, a Chemical Brothers-type psychedelic haze and trancey bliss, although No Where to Run/Bandits pales in comparison to UNKLE’s own rock on 2007’s War Stories. However, the gentler Stole Enough, Sick Lullaby and sublime Farewell, with their ghostly piano notes and dreamlike moods of contemplation – suggest that Lavelle’s road is heading the right way.

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.