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The Guardian - UK
The Guardian - UK
Entertainment
Jonathan Romney

Under Milk Wood review – relentlessly hearty

Under Milk Wood
Nine lives ... Rhys Ifans as Captain Cat in Under Milk Wood Photograph: PR

Concluding the 100th anniversary celebrations of Dylan Thomas’s birth, here is a ramshackle visualisation of the poet’s 1954 radio drama. Thomas’s Under Milk Wood has spawned diverse adaptations and tributes – stage productions, a ballet, Stan Tracey’s revered jazz suite and a 1972 film by Andrew Sinclair, starring Elizabeth Taylor, Peter O’Toole and the original radio narrator, Richard Burton.

Probably few other versions are as raucous as this offering from Kevin Allen, who made his name with 1997’s laddish Cardiff romp Twin Town. That film’s star Rhys Ifans persuasively channels Burton’s night-deep tones in his voiceover, as well as playing the haunted seadog, Captain Cat. Also starring is Charlotte Church, more pert than earthy as local siren Polly Garter, but undeniably game for the revelry.

Under Milk Wood - video review

Adapted by Allen, Michael Breen and poet Murray Lachlan Young, this Under Milk Wood – in English here, but there’s also a Welsh-language version – puts often stridently vivid images to a text that barely needs illustration or amplification. The film isn’t short of visual ideas, but their sometimes clunky overstatement can swamp the language: the Captain’s drowned shipmates look as if they’ve just stepped off Davy Jones’s ghoulish galleon in the Pirates of the Caribbean series.

Relentlessly hearty and doggedly committed to Rabelaisian rumpy pumpy, the film feels at times like an anarchic, over-vitaminised community project. Still, beneath the visual cacophony, there’s some nicely brash jazzy scoring by composer Mark Thomas.

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