I Love LA
10.25pm, Sky Comedy
Following her hit film Bottoms, Rachel Sennott created and stars in an audacious new comedy about twentysomething life in Los Angeles. She plays ambitious Maia who, after finding out she’s been denied a promotion at work, comes home to find her old friend Tallulah (Odessa A’zion) is back in town. But is there unsolved tension between them? Guest stars include Leighton Meester and Elijah Wood. Hollie Richardson
Panorama: Trump and the Tech Titans
8pm, BBC One
A report on the dangerously close relationship between the most powerful politician in the world and the most influential tech industry figures. Obviously, Elon Musk has been at the heart of the Trump administration – but should we be equally concerned about the centrality of the likes of Mark “Meta” Zuckerberg and Peter “PayPal” Thiel? Phil Harrison
Blue Lights
9pm, BBC One
Will Grace make it out of the car? Is Sean going to lose his leg? Will the Ginleys be sent down? We get all the answers in this slightly quieter finale for what has been another fantastically frantic season with the Belfast coppers – but that doesn’t mean there aren’t any last twists and shockers to be had. HR
Once Upon a Time in Space
9pm, BBC Two
Following the collapse of the USSR, the Soviet space station Mir became an uncommon symbol of US-Russian collaboration, further helping to thaw the cold war (at least in the chilly recesses of space). And despite a run of disasters, including fires and collisions, the Shuttle-Mir programme survived. Episode two speaks to insiders about the events and what happened next. Ali Catterall
The Forsytes
9pm, Channel 5
The more genteel milieu has made this costume drama stilted in comparison with its writer Debbie Horsfield’s previous hit Poldark, but it hits all the right beats. This week, the Forsytes ponder their signature moral dilemma, love v status, as Soames (Joshua Orpin) unleashes unsuitable fiancee Irene (Millie Gibson), to the snobbish horror of his elders. Jack Seale
It: Welcome to Derry
9pm, Sky Atlantic
If you’ve just about recovered from the giant mutant baby ripping apart a bunch of kids in the local cinema, prepare for another stomach-churning monster involving an umbilical cord. This prequel series to Stephen King’s It continues to scare against the backdrop of a racist small town in 60s America. HR
