Mark WallingerPhotograph: Charlie Hopkinson/Charlie HopkinsonMark Wallinger was last shortlisted in 1995 for an exhibition inspired by his interest in horse racing. This year's citation is for his recent show State Britain, which painstakingly recreated the protest slogans of activist Brian Haw inside the cavernous spaces of Tate BritainPhotograph: Cathal McNaughton/PAMark Wallinger's State Britain, 2007 Photograph: Sam Drake/Sam Drake, Tate Photography
Mark Wallinger's State Britain, 2007 Photograph: Sam Drake/Sam Drake, Tate PhotographyMark Wallinger's State Britain, 2007 Photograph: Sam Drake/Sam Drake, Tate PhotographyMark Wallinger at the unveiling of State BritainPhotograph: Cathal McNaughton/PAMark Wallinger walking along the exclusion zone at State BritainPhotograph: Felix Clay/GuardianPhotographer and sculptor Nathan Coley was selected for his solo exhibition at Mount Stuart, Isle of Bute, the public installation Camouflage Church at Spain's Santiago de Compostela and his contribution to a group exhibition at the Museum of Contemporary Art in BelgradePhotograph: PRNathan Coley's Camouflage Church, 2006 Photograph: doggerfisher and Haunch of VenisonNathan Coley's Camouflage Mosque (Gold), 2006 Photograph: doggerfisher and Haunch of VenisonNathan Coley's Iceman 2005 in the Frieze Sculpture ParkPhotograph: PRNathan Coley's There Will Be No Miracles Here, 2006 Photograph: doggerfisher and Haunch of VenisonNathan Coley's I Don't Have Another Land, 2002 Photograph: Haunch of Venison, LondonLike Wallinger, Mike Nelson has been shortlisted once before. He recently made his mark with the installation of a photographic darkroom inside the bowels of the 2006 Frieze Art FairPhotograph: PRMike Nelson's installation Mirror Infill, 2006Photograph: Mike Nelson and Matt's Gallery. LondonMike Nelson's installation Mirror Infill, 2006Photograph: Linda Nylind/GuardianMike Nelson's Amnesiac Shrine or Double Coop Displacement, Matt's GalleryPhotograph: Mike NelsonZarina Bhimji is best-known for her beautiful but haunting films and photographs, described by the judges as 'deeply romantic imagery with a strong sense of portent, of disquiet, of melancholy'.Photograph: Ian Berry/Ian BerryZarina Bhimji's Your Sadness is Drunk, 2001-2006Photograph: Haunch of VenisonZarina Bhimji's This Unhinged Her, 1998-2006 Photograph: Haunch of VenisonZarina Bhimji's No Border Crossing, 2001-2006Photograph: Haunch of Venison
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