Tracey Emin exhibition: an enfant terrible's senior moment – in pictures

Love Is What You Want (2011) – the exhibition's title Photograph: David Levene

Neon works have been a mainstay of Emin's career, from Blinding (top right, 2000) to People Like You Need to Fuck People Like Me (2002) Photograph: David Levene

More neon works from the Hayward show including Is Anal Sex Legal? and Is Legal Sex Anal? from 1998 Photograph: David Levene

Wall-mounted blankets in trademark Emin appliqué, from Hotel International (1993) to Psyco Slut (1999) Photograph: David Levene

Knowing My Enemy (2002), a large-scale steel-and-wood installation, consists of a lookout tower accessed via a broken pier Photograph: David Levene

Death Mask (also 2002) is a cast of the artist's head in bronze Photograph: David Levene

A three-piece external installation: Father, Mother, Children (2011) Photograph: David Levene

A close-up of Children Photograph: David Levene

A bronze cast of a child's abandoned sock, from the Baby Things series first exhibited at the Folkestone Triennial in 2008 Photograph: David Levene

A bronze bear, also from Baby Things Photograph: David Levene

Another piece from Baby Things Photograph: David Levene

Emin's Plant Plinths were first exhibited in 2002 Photograph: David Levene