Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Lyn Gardner

Tom Courtenay's off-kilter Vanya

Tom Courtney
Tom Courtney

It is a pleasure to report that the Royal Exchange Theatre has reached its 25th birthday, but a duty to report that the opening production in its silver jubilee season is adequate rather than fabulous.

That the evening is enjoyable is due less to the brilliance of director Greg Hersov than the genius of Chekhov. This prescient 1899 tragi-comedy - full of references to our destruction of the planet - is still the best play ever written about happiness and the impossibility of achieving it. One sign of a really good production of Uncle Vanya is that it makes you laugh and feel terrible at the same time.

Hersov's production does not quite prick at the absurdity of the tragedy, and magnifies some of the problems with the Exchange's in-the-round auditorium. The cast is moving around like gadflies, or is static for so long that a substantial part of the audience is left staring at their backs. During the crucial two-handed exchanges between Sonya and Astrov in act one, and later between Yelena and Astrov, I could only see the face of one party.

More damagingly, the production has a curious, nervy central performance from Tom Courtenay as Vanya. It reminds you that, with acting, more usually turns out to be much more than is necessary. Vanya is, as the other characters keep reminding us, a bit odd, a buffoon, but Courtenay plays him as such a freak that you wonder why he wasn't carted off to the mental asylum long ago. Courtenay's stresses and inflections are off-kilter, and he will not stand still for a second. You can see what he is aiming for - a funny-sad little clown, a pathetic but sometimes endearing man-child - but the whole thing is overbaked and distracting.

Fortunately, Helen Schlesinger as the languid, teasing Yelena demonstrates how it should be done. Her performance is just as detailed as Courtenay's, but done with the minimum of fuss and the tiniest gestures - a finger traced across her neck, a tiny guilty smile playing around the corners of her mouth, a shrug. Exquisite.

Until October 20. Box office: 0161-833 9833.

Royal Exchange

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.