Although he's done 90 TV episodes dressed in a Catholic cassock and a black saturno, Mark Williams is no believer.
The British actor, who stars as the indefatigable title character in "Father Brown," admits he's not a man of faith, nor is he celibate like his television counterpart.
But he does champion the fictional father's values.
"I was brought up in the Church of England, so that's part of my culture," he says. "But I don't practice my religion. Father Brown believes in redemption, and he believes that we're all God's children, and he's a man of faith, so I respect him."
In his own way Williams admits he's a man of faith too.
"It's a big act of faith to do this job, because you don't know when you're going to work next, or if you're going to work again, ever, after every single job," he says.
"Toward the end of every job everybody gets a bit nervous about whether they'll work again. So sometimes it's a bit despairing. It's not like you can go play a violin, or write a short story, or practice something, or do some painting. Unless you're in a production you're not working, so you're not exercising your skills. So that becomes very difficult," he says.
There have been times in his over-30-year career that he's toyed with the idea of quitting.
"During night shoots in the winter, shooting for 14 hours. Yeah, I feel like quitting then," he confesses.
The results of all those night shoots and dedication is streaming on BritBox this month, with two new episodes of the G. K. Chesterton classic, "Father Brown," airing back-to-back on Tuesdays.
The 60-year-old Williams says the reason he became an actor in the first place was simple.
"Acting was the only thing I could do," he shrugs.
"I was at school and we put some plays on, and I was onstage _ about 11 years old _ and I thought, 'I can do this!' I couldn't add up or play sports or was no good at music, so I seized hold of it," he recalls.
"I enjoyed it very much, and I felt very in control on stage, like time stood still a bit. It's like when ball players can see the ball coming really slowly."
Williams grew up in Worcester, England, 100 miles northwest of London. "We came from a small midlands town called Bromsgrove and we didn't have any money," he says.
"My parents were the first generation to be educated after the Second World War. They both went to art school. My grandfather was a paint-sprayer in the motor works and both my grandmothers worked as well, in shops and nursing. And my other grandfather was a clerk in a big chocolate factory."
His father was an architectural technician, says Williams. "Mother worked in the local library."
He has two brothers. One serves as location manager for the film and television industry. His younger brother suffers from cerebellar ataxia, a debilitating movement disorder.
While he was waiting for his big break, Williams toiled at a variety of jobs.
"I worked as a painter, at a stud farm with bulls. I worked in a psychogeriatric ward in a mental hospital. You may do (an acting) job, but it's only for two weeks. So I was in my 30s before I got a regular job. For some reason I stuck it out," he says. "It was blind faith and ignorance."
Married for 10 years to photographer Emma Williams, whom he met with a group of friends in Brighton, Williams has a 17-year-old daughter. It's too soon to know if she'd like to follow in her father's footsteps, he comments.
The tall, graying actor is the veteran of a colorful gallery of roles from Arthur Weasley in seven "Harry Potter" films to "Dr. Who," "Being Human," "101 Dalmatians" and "Shakespeare in Love." He even played a vicious killer on an episode of the "Inspector George Gently" series.
In fact, when Williams' agent first told him about "Father Brown," he was gainfully employed on another acting project.
"I couldn't audition, and my agent said, 'They want you for a show called "Father Brown."' And I said, 'Oh, that's good, but I can't audition.' She said, 'No, it's an offer.' So I said, 'What part?' I thought it was going to be maybe a murderer or something like that. And my agent said, 'Father Brown.' So that was really exciting. I'd read quite a lot of Chesterton before. Of course, Father Brown is supposed to be small and I'm a 6-footer, so I have to act small."
ROWE IS BACK TO HIS 'DIRTY' TRICKS
With many of us longing to return to work, Mike Rowe is back on the job. Yes, the "Dirty Jobs" expert _ who knows everything there is to know about icky sticky labor _ is taking a road trip with his old "Dirty Jobs" crew. They'll revisit past on-the-jobbers and tell all new stories. "Dirty Jobs: Rowe'd Trip" premieres on the Discovery Channel Tuesday.
Rowe tells me he became interested in the field because of his dad and grandfather.
"My earliest memories growing up were of my grandfather and my father working as this sort of apprentice team solving problems, no matter how dirty or disgusting," he says.
"It's still mysterious to me because they would vanish and come back filthy and whatever the thing was, would be fixed.
"Everyone on my dad's side _ except for him _ were farmers. And everyone on my mom's side were fishermen. So growing up I was always staying with this uncle or working on that fish boat for that summer. So I had a front-row seat to a lot of traditional blue collar work. I grew up in Baltimore on the Chesapeake, basically ... I always wanted to do a TV show that celebrated those kinds of qualities, to point a camera at people who would never have a camera pointed at them. To just pay an honest tribute."
'BABY-SITTERS' LOVE INTEREST
Alicia Silverstone and Mark Feuerstein prove the love interest in Netflix's new take on "The Baby-Sitters Club," streaming now. Based on the series of books by Ann M. Martin, the series follows middle-schoolers who form their own babysitting business. Silverstone plays the single mom of one of them, and Feuerstein is the guy who hopes to capture her heart.
Feuerstein, who starred in "Royal Pains," "9JKL" and "Prison Break," reports that he appeared in several sitcoms early on that flopped. "The joke for me for the first 10 years of my career was the Barron's guide to the SAT sat on my shelf. And I could take an LSAT and go into the profession that has defined my family _ a bunch of lawyers.
"But I have been lucky enough to work consistently enough. I think it's easier as a guy than a girl. You get nine lives as a male actor, and so I'm on my seventh. I've been lucky to work with so many wonderful people _ everyone from Mel Gibson to Tommy Lee Jones to Samuel Jackson, Toni Collette. I can never complain. When I show up on the set ... I just thank my lucky stars every day."
FAIRY TALES RETOLD ON THE CW
Kevin Williamson's modern take on ancient fairy tales is moving over to the CW July 28. "Tell Me a Story," which streamed on CBS Access, combines three famous fairy tales _ "Hansel and Gretel," "The Three Little Pigs," and "Little Red Riding Hood" _ into a parable about modern-day anger and angst.
Williamson, author of five "Scream" incarnations, "Dawson's Creek," "The Vampire Diaries" and "Stalker," explains: "What we've done is we've taken sort of the notion of some these classic fairy tales in all of their darkness, and we have sort of the concept being: What would you do if you had to write them today? What would they look like? What form would they take? What would be the cautionary tale of it? What would be the morals? What would be the themes? What would be the stories? And so we have taken that as our jumping off point," he says.
"When I'm sitting down and writing, I'm always writing for the tears. I'm always writing TO the tears. I'm always writing the emotional part. I like emotional storytelling, and so I'm always writing for the moment before the scary beat or the moment after it ... I don't know why."
