From the beginning of their self-titled fifth album, it’s clear that TLC are keen to prove that they are, indeed, TLC. Understandably so, for the case against is convincing: this is the first album the band have released without any input from the late Lisa “Left Eye” Lopes, generally considered the trio’s creative nerve centre. The opener No Introduction – a hyped-up list of their achievements, ironically enough – might feel forced, but from then on the duo prove themselves more than capable custodians of the TLC brand.
Way Back sees T-Boz reprise the low, oddly flat vocal melodies that were such a satisfying part of the original recipe, while Haters and Perfect Girls both recall Unpretty’s rejection of cookie-cutter beauty. The effect is deeply nostalgic – were it not for the nods to trap, it would feel like a time capsule – but ultimately that familiarity is a testament to the album’s quality. TLC are the second most successful girl group of all time (after the Spice Girls) and this record proves that their winning formula still works.
