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The Guardian - UK
The Guardian - UK
Entertainment
Harriet Gibsone

Thundercat: The Beyond/Where the Giants Roam review – eerie ambience and transcedental grooves

Thundercat.
Vulnerable and virtuosic … Kendrick Lamar collaborator Thundercat. Photograph: PR company handout

In contrast to 2013’s more eccentric Apocalypse, Thundercat’s The Beyond is an introverted mini-album that, rather than leaping out of the speakers, tumbles and unfurls. Clocking in at just 16 minutes, the bass virtuoso wrote it in conjunction with his innovative work on Kendrick Lamar’s To Pimp a Butterfly and Flying Lotus’ You’re Dead! Amid its textured, timeless, transcendental grooves, he grapples with the death of friends and the end of a relationship – here the eerie ambience of Radiohead meets the warmth and virtuosity of jazz fusionist Stanley Clarke. Them Changes, a funk track co-produced with Flying Lotus, is built from an Isley Brothers drum sample, maple bass and the Moogerfooger effects unit; elsewhere chords collide with falsetto choral vocals and subtle percussion. With sweetness in the sorrow, this is music inspired by human vulnerability, arriving as if beamed in from another planet.

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