Live music and sound are used with explosive creativity in Filter's Twelfth Night (currently on tour), performed on a set that could be mistaken for a rock band's rehearsal room. Working with sound designers Tom Haines and Ross Hughes, and using keyboards, a bass, and assorted props and electronic gadgets, everything the company comes up with feels true to Shakespeare's play - a story steeped in song and the imagery of music.
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Theatre's sound revolution: Twelfth Night
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