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The Guardian - UK
The Guardian - UK
Entertainment
Maxie Szalwinska

Theatre's sound revolution: The Receipt

The Receipt saw Will Adamsdale and sound designer Chris Branch using little more than filing cabinets and a Moog synthesiser to breathe life into their tale of big-city alienation. Branch was on stage throughout the show, bouncing off Adamsdale and providing amusing, idiosyncratic sound effects.

Blog: Theatre's revolution in sound design

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