The exhibition is a recreation of the experience of being in the contemplative surroundings of an orchardPhotograph: Edwina BridgemanThe central installation includes three trees, a ladder, an apple box and a sheep, plus other hidden wildlifePhotograph: Edwina BridgemanThe trees are made partly from discarded materials, and contain objects and narratives about the history and folklore of orchards and apple-growingPhotograph: Edwina Bridgeman
The exhibition focuses on imagery, magic, songs and stories relating to apple trees, but also reflects the resurgence of sustainability and self-sufficiency and the benefits of homegrown food, wine and ciderPhotograph: Edwina BridgemanVisitors are encouraged to sit at writing table under an apple bough and write (or draw) anything inspired by apples or ciderPhotograph: Edwina BridgemanEdwina Bridgman says: 'I am interested in the poetry of the everyday. The materials that I use reflect this, [as they are] often overlooked and discarded'Photograph: Allen DanielsBridgeman invites visitors to 'look again at the familiar and ordinary presented in an extraordinary way'Photograph: Edwina Bridgeman'Found timbers are the main element of the work'Photograph: Edwina Bridgeman'The figures have painted faces with a fresco-like quality. They represent all of us, often with a sense of optimism and joy'Photograph: Edwina BridgemanThe core work is the ‘Tree of Life’, made from an old hat-stand and covered with figures and animals with Adam and Eve at the base Photograph: Edwina Bridgeman
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