What makes a film a classic? In this video series, film scholar Bruce Isaacs looks at a classic film and analyses its brilliance. (Warning: this scene contains violence and may be upsetting for some viewers.)
In what way does a film reflect the politics of the time and place in which it was made? We started answering this question in the episode on Back to the Future (1985). Today, we explore this question further with Rome, Open City (Roma città aperta), directed by Roberto Rossellini and released to Italian audiences in 1945.
Rossellini made the film just after the German withdrawal, a couple of years after Mussolini’s death and the end of Fascism in Italy. The historical context is important because it provides an insight into what Rossellini was trying to achieve. If you are an Italian filmmaker, committed to the art form, but also to the country and its history, how do you respond to this turbulent moment in history? Rossellini used the medium of cinema to not only reconstruct Italy’s recent past under Fascism, but also its potential future.
See also:
Vertigo
The Passenger
Eternal Sunshine of the Spotless Mind
Jaws
Psycho
The Godfather
Stanley Kubrick’s 2001: A Space Odyssey
Marie Antoinette
Requiem for a Dream
The Matrix and bullet-time
Back to the Future
Bruce Isaacs does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
This article was originally published on The Conversation. Read the original article.
