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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

The First Film review – the mystery of a cinema pioneer

David Nicholas Wilkinson and Roundhay Garden Scene in The First Film
David Nicholas Wilkinson and Roundhay Garden Scene in The First Film. Photograph: Guerilla Films

David Nicholas Wilkinson is a man on a mission. He is the Leeds-born film distributor who, for years, has been struggling to convince the world that the first ever film was made in Leeds. Never mind Thomas Edison; never mind the Lumière brothers and their train arriving in La Ciotat; never mind William Friese-Greene. The real pioneer was Frenchman Louis le Prince, who filmed a scene on Leeds bridge and in a Leeds garden, where some Victorians skittishly frolicked – in 1888. But Le Prince did not have the Lumières’ showmanship or Edison’s legal, patent-enforcing muscle; he died before he could develop a projection technique, and so faded from history. There was something else. In 1890, he boarded a train at Dijon and disappeared; his body was never found. Did he kill himself because of the pressure of competing with Edison? Or did Edison have him whacked? Wilkinson has a some stilted, telly-ish Who Do You Think You Are? moments in libraries and graveyards, and occasionally this looks a bit homespun, like a video you might buy in a museum shop. But he has a real story to tell; he raises interesting points about the prehistory of cinema. Le Prince could be disregarded because he is thought to belong more to the frame-by-frame era of Muybridge and the Zoetrope optical display, rather than cinema itself, and there is an argument that Le Prince is more a “missing link”. But Williamson makes a clear case that Le Prince was a prototypical film artist, and a genuine pioneer.

Louis Le Prince The First Film press still
The pioneer who disappeared … Louis Le Prince, the subject of The First Film. Photograph: Guerilla Films
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