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The Guardian - UK
The Guardian - UK
Lifestyle
Skye Sherwin

Tamara de Lempicka’s Les Deux Amies: empowered female sexuality

Tamara de Lempicka’s Les Deux Amies, 1923 (detail; full image below).
Tamara de Lempicka’s Les Deux Amies, 1923 (detail; full image below). Photograph: Association des Amis du Petit Palais, Geneve

The power …

Tamara de Lempicka’s women in this 1923 painting have the powerful physiques of Michelangelo’s divine beings. In fact, this image of a woman in a post-coital sleep in her lover’s lap recalls the Mary and Jesus of his Pietà in St Peter’s in the Vatican.

Brand new heavies …

However, these are unequivocally modern dames. The backdrop is a cubist cityscape; their hair is cropped in the manner of Parisian garçons; and their red lips and shaded eyes are thoroughly à la mode. They also have a sexual agency wedded to bodily strength that is hard to imagine being lauded in a past age.

Bank on it …

Known for her affairs with both sexes, De Lempicka was a glamorous figure in Paris’s Left Bank scene, and forged a career with her good head for business. A magazine cover star who featured in the society pages, she created elegant art deco portraits for a wealthy elite.

My way …

As far as is known, though, this painting was not a commission nor a real couple, but a more personal vision of empowered female sexuality.

Tamara de Lempicka’s Les Deux Amies, 1923.

Part of Modern Couples: Art, Intimacy and the Avant-Garde, Barbican Art Gallery, EC2, Wednesday 10 October to 27 January

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