Tacita Dean's Presentation Sisters (2005), part of the Enlightenments exhibition at the Dean GalleryPhotograph: Courtesy of the artist, Frith Street Gallery LondonMarking the 150th year anniversary since the publication of The Origin of the Species is Joseph Kosuth's An Interpretation of this Title: Nietzsche, Darwin and the Paradox of Content. The installation can be seen at the Talbot Rice Gallery, part of the city-wide Enlightenments seriesPhotograph: Murdo MacleodGreg Creek's Edinburgh Drawing: Chatter Shapes, at the Dean GalleryPhotograph: Murdo Macleod
A still from Joshua Mosley's film Dread (2006), following two clay figures – representing French philosophers Jean-Jacques Rousseau and Blaise Pascal – on a nature walk. Part of the Enlightenments, at the Dean GalleryPhotograph: Courtesy of the artist, Donald Miller Gallery, ChicagoArtist Lee Mingwei, at the Dean Gallery, with his work Letter Writing, also part of the Enlightenments series. His project invites viewers to think about absent friends and loved ones – by writing to themPhotograph: Murdo MacleodA 1968 work by the late American artist Eva Hesse. Part of her Studioworks exhibition at the Fruitmarket GalleryPhotograph: Murdo MacleodNo Title (1969) by Eva Hesse, at the Fruitmarket GalleryPhotograph: Murdo MacleodA still from Jane and Louise Wilson's film – made using footage from Stanley Kubrick's archive – Unfolding the Aryan Papers (2009) at the Talbot Rice GalleryPhotograph: Dave Morgan/BFI LondonAnother still from Jane and Louise Wilson's film, Unfolding the Aryan Papers (2009), at the Talbot Rice GalleryPhotograph: Dave Morgan/BFI LondonThe artist Bob and Roberta Smith, exhibiting at the Grey Gallery in his show The Artist is Deeply DangerousPhotograph: Grey Gallery/PRAemrican photographer Francesca Woodman's Eel Series, Roma, May 1977-August 1978. Part of the Artist Rooms at the Scottish National Gallery of Modern ArtPhotograph: A Reeve/The estate of Francesca WoodmanFrancesca Woodman's Italy, May 1977-August 1978, Artist Rooms at the Scottish National Gallery of Modern ArtPhotograph: A Reeve/The estate of Francesca WoodmanDamien Hirst's Away from the Flock (1994), part of Artist Rooms at the Scottish National Gallery of Modern ArtPhotograph: A ReeveDamien Hirst's Trinity - Pharmacology, Physiology, Pathology (2000), Artist Rooms at the Scottish National Gallery of Modern ArtPhotograph: A ReeveBelgian author – and photographer – Paul Nougé, Subversion des Images at the Institut Français d'EcossePhotograph: PRPaul Nougé, Subversion des Images at the Institut Français d'EcossePhotograph: PRSir Henry Raeburn's Portrait of Mr George Abercromby of Tullibody, Clackmannanshire (c.1790-1800), in Scottish Paintings: Old Master to Contemporary at Bourne Fine Art GalleryPhotograph: Bourne Fine Art GalleryAnne Redpath's Greys (c.1949), shown in Scottish Paintings: Old Master to Contemporary at Bourne Fine Art GalleryPhotograph: Bourne Fine Art GalleryVija Celmins, Drypoint - Ocean Surface (1983), part of Artist Rooms at the Scottish National Gallery of Modern ArtPhotograph: A ReeveVija Celmins, Untitled (Web 4) 2002, Artist Rooms at the Scottish National Gallery of Modern ArtPhotograph: A Reeve
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