Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Michael Billington

Summer Again

Summer Again, Orange Tree, Oct 04
Prickly liaison.... Miranda Foster as Ariadne and David Leonard as Gerard in Summer Again. Photo: Tristram Kenton

David Cregan's new play reveals a passionate concern with Iraq, global capitalism and environmental decay. But, while his social conscience does him credit, I wish he could have found a more plausible plot on which to hang his thoughts.

The story hinges on the determination of country-bred, 91-year-old Toby to buy part of the vast, adjacent garden belonging to Gerald, a lecherous entrepreneur. For inexplicable reasons, Toby's family - including his dithering son, actressy daughter-in-law and ecologically concerned grandson - think the purchase will be the death of him and do everything in their power to stop it. Ariadne, the daughter-in-law, even offers to sleep with Gerald to stop the sale; although, since she is an anti-war marcher and he a rabid right-winger, it makes for a prickly liaison.

Cregan's model is clearly Shaw's Heartbreak House: another country-garden play in which the leisured classes confront naked power in the shadow of global catastrophe. Unlike Shaw, Cregan lacks the courage of his convictions and refuses to acknowledge that he is writing a disquisitory piece. Significantly, the play takes off once he sacrifices plot to debate as in an angry clash between a trainee teacher and the exploitative Gerald, who smugly believes he can benefit himself and the south-east Asians by turning their shops into giant supermarkets. Cregan also has a sharp eye for individual eccentricity, as in his portrait of a xenophobic cook who caps her itemised catalogue of national loathing with: "And then there's Sweden."

Even if Joyce Branagh's production can't disguise the play's improbabilities, it looks verdantly elegant in Sam Dowson's design and matches this theatre's usual high acting standards. Miranda Foster as the sexually self-sacrificing Ariadne, Robert Benfield as her complaisant husband and Eve Shickle as the grumbling cook are all first rate. But while Cregan's play hinges on the quest for a plot of ground, I wish its political debates were grounded in a less whimsical plot.

· Until November 6. Box office: 020-8940 3633.

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.