Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - AU
The Guardian - AU
Entertainment
Guardian staff

Splendour in the Grass 2015: highlights to look forward to, from Blur to First Dog

Azealia Banks ... will she or won’t she be there?
Azealia Banks ... will she or won’t she be there? Photograph: Christie Goodwin/Redferns via Getty Images

Splendour in the Grass kicks off on Friday, with almost 100 acts performing over three days. Guardian Australia will be on the ground at the festival, but before we leave Sydney to don our gumboots, what are our team most looking forward to?

Nancy Groves, culture editor: I’m not usually stuck to headliners but Blurs Sunday night reunion gig at Glastonbury 2009 was one of the best endings to a festival ever, and they repeated the feat at the London 2012 concert. Can they bring that energy to closing out Splendour? Emotions will be high. Damon played Sydney Opera House the day after the Sydney siege, and the band’s new album, The Magic Whip, has a song inspired by the experience: There Are Too Many of Us.

Alan Evans, deputy news editor: Flight Facilities’ big, silly, unashamed dance-pop was the highlight of Laneway festival in Sydney until they were cut off mid-song by overzealous curfew enforcers, so it’ll be fun to see them finish a set. I’m also hoping to win the “What Excuse Will Azealia Banks Use To Cancel At The Last Minute?” sweepstake. My money is on a strained larynx after a heated argument about Australia’s stance on same-sex marriage.

First Dog, marsupial-based cartoonist: “We are advised that First Dog on the Moon will be too busy saving democracy to attend any events other than the one I am in.” Tell them I said that. Although I might have a look at Blur. I don’t want to seem uncool to the young people but I really didn’t recognise many of the bands on there. Disappointed Kraftwerk couldn’t make it. And all the Ramones are dead now so …

Adam Brereton, comment editor: I’m looking forward to being handed the cold one.

Alexandra Spring, guide editor: Looking forward to seeing if Azealia Banks is still as bratty and brilliant as she was last time, and whether sibling musos Kitty, Daisy and Lewis are still talking to each other after so long on the road.

Fred McConnell, deputy video editor: I’m looking forward to seeing Kirin J Callinan (even if it is as part of Mark Ronson’s band) because he’s an Australian artist I’ve fallen hard for.

Jonny Weeks, picture editor: Tame Impala: A reminder of years gone by when, to be honest, I used to give much more of a shit about music. Never saw them live back when Innerspeaker was released and wish I had, so I’ll be pretty happy to be in the pit shooting them on Sunday night.

Bill Code, video editor: UV Boi: This teenager from Brisbane brings abstract 808-style goodness amid catchy vocals and dubby bass and is promising to break through as a leading electronic producer. Japanese Wallpaper, another Australian young gun, produces quality downbeat soundscapes to make you mellow. Then there’s Melbourne’s Ecca Vandal. She has so much energy and edgy brawn, her live show is one to look out for.

And when pubescent hip-hop ensemble Odd Future broke through like some kind of modern day Wu-Tang, there was one MC standing above the rest in terms of talent … Earl Sweatshirt does wonders with words and his laconic flow, and with Jay Electronica having pulled out of the festival, he’s flying the flag for rap.

Elle Hunt, deputy audience editor: I believe Azealia Banks will make it to the stage at Splendour, though whether or not she’ll be any good remains to be seen. As much as I liked 212 three-and-a-half years ago, my expectations aren’t high. I’m more excited about seeing Australia’s own Tkay Maidza, about whom I’ve only heard good things, and whose hit U-Huh is among my favourite discoveries of this year. (Yes, I know, I got to it late.)

Plus I’m looking forward to seeing Earl Sweatshirt again. I last saw him perform with members of Odd Future at a Laneway festival sideshow in New Zealand, and it was no less enjoyable a set for its obvious haphazardness.

My fingers are crossed that Shlohmo plays a couple of tracks from his No More EP with Jeremih at his late-night DJ set – and I’ll be heading along to Death Cab For Cutie to see if there’s any joy to be had in revisiting the feeling of being 15 years old. I need you so much closer, etc.

Van Badham, columnist: There’s a goddamn monk-led sand mandala dissolution. Why would anyone go to anything else? Clearly, western culture has just climaxed. Hard.

Guardian Australia is a sponsor of the Splendour Forum

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.