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The Guardian - UK
The Guardian - UK
World

Social media dystopia

Sébastien Thibault
Social media dystopia: Illustration by Sébastien Thibault Illustration: Sébastien Thibault

The dark web, accessed through networks like Tor, offers an internet without surveillance. But is it as much a vital tool for white supremacists and paedophiles as it is for dissidents living under oppressive regimes?

Alex Hern




Updated

At the end of last winter, a gigantic billboard advertising Android, Google’s operating system, appeared over Times Square in New York. In a lower-case sans serif font – corporate code for friendly – it declared: “be together. not the same.” This erratically punctuated mantra sums up the web’s most magical proposition – its existence as a space in which no one need ever suffer the pang of loneliness, in which friendship, sex and love are never more than a click away, and difference is a source of glamour, not of shame.

But proximity, as city dwellers know, does not necessarily mean intimacy.

Olivia Laing



The most valuable trick, from a marketing perspective, is how to induce individuals to share positive brand messages and adverts with each other, almost as if there were no public advertising campaign at all. The business practice known as “friendvertising” involves creating images and video clips that social media users are likely to share with others, for no conscious commercial purpose of their own. The science of viral marketing, or the creation of buzz, has led marketers to seek lessons from social psychology, social anthropology and social network analysis.

William Davies


Updated

When a fact begins to resemble whatever you feel is true, it becomes very difficult for anyone to tell the difference between facts that are true and “facts” that are not. The leave campaign was well aware of this – and took full advantage, safe in the knowledge that the Advertising Standards Authority has no power to police political claims. A few days after the vote, Arron Banks, Ukip’s largest donor and the main funder of the Leave.EU campaign, told the Guardian that his side knew all along that facts would not win the day. ‘It was taking an American-style media approach,’ said Banks. ‘What they said early on was ‘Facts don’t work’, and that’s it. The remain campaign featured fact, fact, fact, fact, fact. It just doesn’t work. You have got to connect with people emotionally. It’s the Trump success.’

Katharine Viner



Updated

The point of being on social media is to produce and amass evidence of being on social media.

Jacob Silverman



Updated

“It’s like dirty MI6 because you’re not constrained. There’s no having to go to a judge to apply for permission. It’s normal for a ‘market research company’ to amass data on domestic populations. And if you’re working in some country and there’s an auxiliary benefit to a current client with aligned interests, well that’s just a bonus.”

Carole Cadwalladr



Updated

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