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The Guardian - UK
The Guardian - UK
Lifestyle

Sculpting politics: Thomas Bayrle and Ann Lislegaard at Raven Row

THOMAS BAYRLE: Thomas Bayrle: Autobahn-Kopf
Autobahn-Kopf (Motorway-Head), 1988/89, by Thomas Bayrle. The artist uses the metaphor of the motorway to portray a state of modernity in which we are 'racing to stand still' Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: Autobahn-Kopf
Autobahn-Kopf (Motorway-Head), 1988/89, a film installation Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: Autostrada
Autostrada, 1999, by Thomas Bayrle Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: Autostrada
Autostrada, from another angle Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: SARS Formation
SARS Formation (modified), 2008, by Thomas Bayrle. In this giant work, the notion of the highway as an artery of our culture is transformed into a molecular structure Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: SARS Formation
SARS Formation (modified), 2008, by Thomas Bayrle Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: Bellona Mirror
Bellona Mirror, 2008, by Ann Lislegaard. The text has been sandblasted on to the glass Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: Crystal World
Crystal World (after JG Ballard), 2006, a 3D animation by Ann Lislegaard. Her animation and sound works draw on classic science fiction Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: Science Fiction_3114
Science Fiction_3114, 2009, an experiment in sound by Ann Lislegaard Photograph: Marcus J Leith/PR
THOMAS BAYRLE: Thomas Bayrle: School of Echoes
School of Echoes, 2009, a sound installation by Ultra-red Photograph: Marcus J Leith/PR
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