Sculpting politics: Thomas Bayrle and Ann Lislegaard at Raven Row
Autobahn-Kopf (Motorway-Head), 1988/89, by Thomas Bayrle. The artist uses the metaphor of the motorway to portray a state of modernity in which we are 'racing to stand still'Photograph: Marcus J Leith/PRAutobahn-Kopf (Motorway-Head), 1988/89, a film installationPhotograph: Marcus J Leith/PRAutostrada, 1999, by Thomas BayrlePhotograph: Marcus J Leith/PR
Autostrada, from another anglePhotograph: Marcus J Leith/PRSARS Formation (modified), 2008, by Thomas Bayrle. In this giant work, the notion of the highway as an artery of our culture is transformed into a molecular structurePhotograph: Marcus J Leith/PRSARS Formation (modified), 2008, by Thomas BayrlePhotograph: Marcus J Leith/PRBellona Mirror, 2008, by Ann Lislegaard. The text has been sandblasted on to the glassPhotograph: Marcus J Leith/PRCrystal World (after JG Ballard), 2006, a 3D animation by Ann Lislegaard. Her animation and sound works draw on classic science fictionPhotograph: Marcus J Leith/PRScience Fiction_3114, 2009, an experiment in sound by Ann LislegaardPhotograph: Marcus J Leith/PRSchool of Echoes, 2009, a sound installation by Ultra-redPhotograph: Marcus J Leith/PR
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