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The Guardian - UK
The Guardian - UK
Entertainment
Lyn Gardner

Running Wild review – Michael Morpurgo animal magic rivals War Horse

Oona the elephant, with Ava Potter playing Lilly, in Running Wild by Michael Morpurgo and Samuel Adamson.
Oona the elephant, with Ava Potter playing Lilly, in Running Wild by Michael Morpurgo and Samuel Adamson. Photograph: Tristram Kenton for the Guardian

If you hear elephants trumpeting and tigers growling on the wrong side of Regent’s Park from the zoo, it’s not because the animals have escaped: the Open Air theatre is giving the professional premiere to Samuel Adamson’s stage version of Michael Morpurgo’s story about a girl, Lilly, (a boy in the original book and at some performances here) who escapes the 2004 Indian Ocean tsunami with the help of a friendly elephant, Oona. The protective Oona carries Lilly into the Indonesian rainforest where they make friends with the orangutans and encounter poachers working for a murderous baddie who is destroying the forest for profit.

First produced by the excellent Chichester Festival Youth theatre, this out-does both War Horse and The Lion King in the puppetry stakes. It’s Finn Caldwell and Toby Olié’s lifesize animals who are the real draw in a piece that lacks a convincing emotional underpinning (Lilly’s loss of both parents seem to pass almost unnoticed) and is way too earnest in the delivery of its conservation message. But it’s a brilliant spectacle.

There are cute baby orangutans, a stealthy crocodile, giant butterflies and, of course, Oona herself who requires a cast of four to manipulate her. It’s lovely stuff. A large young people’s ensemble play the devastating great wave with aplomb, and there’s an engaging central performance from Ava Potter as Lilly, a girl who turns personal disaster into animal magic.

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