Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Michael Cragg

Rudimental: We the Generation review – a couple of months too late

DJ Locksmith, Amir Amor and Piers Agget of Rudimental
‘Tried and tested’: DJ Locksmith, Amir Amor and Piers Agget of Rudimental at London’s Lovebox festival, July 2015. Photograph: Joseph Okpako/Redferns

The timing of east London collective Rudimental’s follow-up to their debut, Home, feels a couple of months late. Songs such as I Will for Love and the Ella Eyre collaboration Too Cool – both of which are propelled by their trademark drum’n’bass-fuelled choruses – are precision-tooled for summer festivals, not chilly autumn commutes. Second time around, however, that quiet-loud-quiet dynamic is too heavily signposted, the album working better when it relaxes into the pulsating throb of Rumour Mill, Foreign World’s sensual euphoria or the 90s R&B of Common Emotion. Obvious album tracks, they represent what can happen when Rudimental step out of their comfort zone. Unfortunately, too often We the Generation’s big pop moments fall back on tried-and-tested formulas.

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.