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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

Rothko on paper, Rossetti in love and Télémaque on the rampage – the week in art

Tintin meets Lichtenstein … Portrait de Famille (1962-63) by Hervé Télémaque.
Tintin meets Lichtenstein … Portrait de Famille (1962-63) by Hervé Télémaque. Photograph: © Hervé Télémaque, ADAGP, Paris and DACS, London 2021

Exhibition of the week

Hervé Télémaque
This radical Parisian pop artist mixes Tintin and Roy Lichtenstein to tell global stories of modern life.
Serpentine, London, from 7 October to 30 January.

Also showing

Shilpa Gupta
The Mumbai-based artist presents a meditation on literature and freedom with the words of imprisoned writers from many places and times.
Barbican Curve, London, from 7 October to 6 February.

Mark Rothko
Late works on paper by one of the most sublime artists of the modern age.
Pace London, from 7 October to 13 November.

Rossetti
A chance to wallow in pre-Raphaelite romance with Rossetti’s glamorous portraits.
Holburne Museum, Bath, until 9 January.

Pablo Bronstein
This artist fascinated by 18th-century styles finds a natural home in the magical Soane collection.
Sir John Soane’s Museum, London, from 6 October to 2 January.

Image of the week

Rankin says baldness is ‘unashamedly masculine’.
Rankin says baldness is ‘unashamedly masculine’. Photograph: Rankin for Hunger Magazine

For acclaimed photographer Rankin and the conceptual artists Scott Kelly and Ben Polkinghorne, male baldness is something to celebrate. Baldpieces, a series of portraits of men adorned with striking headwear they call “crowns to adorn balding crowns” focuses on masculine beauty and challenges an enduring taboo. Read more.

What we learned

Theaster Gates’s show of ceramics revealed humanity’s feet of clay

Gus Van Sant is directing an Andy Warhol musical

while a Frida Kahlo documentary is in cinemas now

Danish artist Jens Haaning delivered empty frames to a gallery in a dispute about low pay

Lubaina Himid warned UK politicians not to meddle with museum boards

Scientists believe they have spotted a fake Rubens

This year’s collectivist Turner prize shortlist poses questions about the nature of creativity

The Street Photographers Foundation find eyecatching ideas in the everyday

In Virginia, debate advances about how to replace Confederate monuments

The Rijksmuseum in Amsterdam is displaying the earliest European portraits of African men

Dina Alfasi found her smart shot on a train

Before photography, America went nuts for painting fruit

Black US artists are making a fashion statement

while Madinah Farhannah Thompson is tackling rural racism in the UK

and a portrait artist wants Ugandans to be proud of their skin

Thilde Jensen documented America’s homeless people

Tate faces difficult questions about its Francis Bacon archive

Hokusai did a lot more than wave

Pascal Anson wears one colour at a time

Australia’s blockbuster Songlines exhibition is coming to the UK

while an archive photograph captured a very different attitude to the Australian landscape

The Nature Conservancy global photo contest winners were announced

we picked out Australia’s contributors for a second gallery

and got an expert lesson in capturing the majesty of birds

Susan Ogilvy, meanwhile, captures the intricacy of bird’s nests

A forgotten men’s feminist movement was all for equal play

Ian Cook took Leonard Cohen to the doctor

The writer Michèle Roberts revealed how she rediscovered painting

Marina Abramović considers life deeply as she approaches 75

A new book explores how designers down the years have approached quarantine

Josiah Wedgwood’s pottery sparked a British revolution

A derelict garage made a neat plot for an architect’s home

Designer Isamo Noguchi’s Barbican retrospective feels like a light show

Jennifer Blau explored her mother’s dementia through art

The Inside Out festival offered various responses to climate crisis

There’s an art to starting university

Masterpiece of the week

The Union of Earth and Water, by Rubens

Peter Paul Rubens: The Union of Earth and Water, circa 1620
Sensuality and science merge in this baroque vision of the elements. Earth and water take human form and are having a love affair, while a satyr, putto and triton gather round them like merry courtiers. Rubens gets his mythology from Ovid’s Metamorphoses, the ancient Latin poem that has arguably had more influence on art than any other literary work. But what makes this little painting so lovely is the way his flowing, fresh brushwork and earthy yet ethereal colours convey Ovid’s sense of the natural world as uncertain and ever-changing.
Fitzwilliam Museum, Cambridge

Don’t forget

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