The series, on show at the Aaran gallery in Tehran, explores how individuals can be randomly caught up in events that turn their lives upside down, the artist said.Photograph: Jinoos Taghizadeh/Aaran Gallery'I am destined to choose the paper at the risk of being cut by the scissors, the rock that I am determined to wrap if only the scissors allow,' the artist explained. Photograph: Jinoos Taghizadeh/Aaran GalleryDespite state censorship, there is a vibrant art scene in Tehran. Taghizade uses holograms to emphasise how perspectives can change.Photograph: Jinoos Taghizade/Aaran Gallery
The collages combine newspaper articles about the Islamic revolution with works by Hieronymous Bosch, Pieter Breugel and Jacques-Louis David.Photograph: Jinoos Taghizadeh/Aaran GalleryOutstretched hands are superimposed on contemporary newspaper articles from the time of the Islamic revolution in Iran.Photograph: Jinoos Taghizadeh/Aaran GalleryTaghizadeh’s work explore private reponses to public events, and the gap between what is promised and what actually happens.Photograph: Jinoos Taghizadeh/Aaran GalleryJacques-Louis David’s The Oath of the Horatii - emphasising undying loyalty to the state - appears under a banner headline announcing the establishment of the Islamic republicPhotograph: Jinoos Taghizadeh/Aaran GalleryClassical death masks adorn the top of a front page dominated by accounts of the torture and killing of political prisoners by the shah’s Savak secret police.Photograph: Jinoos Taghizadeh/Aaran Gallery'This exhibition stands to remind us of the aspirations of a nation,' said Aaran gallery owner Nazila Noebashari.Photograph: Jinoos Taghizadeh/Aaran GalleryDavid’s picture of Marat - the murdered journalist and hero of the French Revolution - contrasts with a report that the Iranian press, censored under the shah, was to be free under the new regime.Photograph: Jinoos Taghizadeh/Aaran Gallery'This exhibition stands to remind us of the aspirations of a nation,' said Noebashari. 'Censorship was supposed to end. But 30 years later we still have to self-censor.'Photograph: Jinoos Taghizadeh/Aaran Gallery
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