Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Letters

Repatriating cultural artefacts and rebuilding relationships

The Okukor, a Benin bronze
Archivist Robert Athol with a bronze statue of a cockerel called The Okukor at Jesus College, University of Cambridge. The Okukor was taken from the kingdom of Benin in 1897 when thousands of bronzes were looted by British forces. Photograph: PA

Your article (Cambridge college to be first in UK to return looted Benin bronze, 15 October) says that “after Jesus College announced its decision to return the Benin bronze in November 2019, a host of regional museums committed to or said they were also considering returning artefacts”. Such returns began much earlier than that. In 1998, Glasgow Museums returned the Lakota Ghost Dance shirt to the Lakota community after years of negotiation. The procedures that Glasgow city council developed included consultation with the public, and have been widely copied. Since then many non-national museums and other institutions have returned items to their cultures of origin.
Dr Ellen McAdam
Marston Green, West Midlands

• Your article about the handover of a sculpture to Nigeria mentions the Gweagal shield, said to have been taken by Captain Cook’s men on their first encounter with Indigenous Australians, and now in the British Museum. In fact, the shield held by the museum was recently shown not to be that particular object (whose whereabouts are unknown); a hole was made not by gunshot, but a knot falling out. However, some of the items collected on the Endeavour’s voyage are in Britain, along with many other equally important pieces, as revealed by a project just completed.

Over the past decade the British Museum, the National Museum of Australia and the Australian National University have been working together, and with other museums and Indigenous people, to record and identify Aboriginal and Torres Strait Islander objects in the UK and Ireland. They found more than 39,000 such pieces in nearly 80 public collections, uncovering new stories in which the original collectors and makers both play significant parts.

The futures of museum collections and public statues are often portrayed by lobbyists and media as a fight between retainers and disposers. The real work is happening behind the scenes: people building new communities on the back of new engagements and research – even around Benin bronzes, where, for example, the British Museum is part of an international group planning a new museum for Benin City.
Mike Pitts
Editor, British Archaeology

Have an opinion on anything you’ve read in the Guardian today? Please email us your letter and it will be considered for publication.

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.