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The Guardian - UK
The Guardian - UK
Lifestyle
Jonathan Jones

'Renoir sucks' takes the world by storm – the week in art

The Family of the Infante Don Luis de Borbon (1783-4)
Beguiling … The Family of the Infante Don Luis de Borbon (1783-4), in the National Gallery’s new exhibition Goya: The Portraits. Photograph: Justin Tallis/AFP/Getty Images

Exhibition of the week

Goya: The Portraits
The psychological penetration of Goya’s portraits is as unsettling as the acid colours of the flamboyant dresses and silk pantaloons of his 18th-century sitters are beguiling. At times, it seems the stylish Georgian portraitist Thomas Gainsborough has got together with the self-taught painter Henri Rousseau to produce pictures at once naive and sophisticated. Bold as brass and brave as a bullfighter, Goya sees people in full with humour, compassion and the force of truth. His portraits chronicle Spain from the optimism of the Enlightenment to the horror of the Peninsular war. Behold the rise and fall of reason.
National Gallery, London, until 10 January 2016.

Other exhibitions this week

Giacometti: Pure Presence
No modern artist after Picasso saw human beings in a more forceful or thoughtful way than Alberto Giacometti.
• National Portrait Gallery, London, 15 October to 10 January 2016.

MC Escher
The fabulous fabricator of polymorphous perspectives reveals new worlds and impossible spaces in this encounter with a real mystery man.
Dulwich Picture Gallery, London, 14 October to 17 January 2016.

Frieze and Frieze Masters
The art world descends as the hugely successful art fairs take over Regent’s Park once again.
• Regent’s Park, London, 14-17 October.

Abraham Cruzvillegas
The latest grand scale commission in the Tate Turbine hall opens amid the glitz of “Frieze week”.
• Tate Modern, London, 13 October to 3 April 2016.

Masterpiece of the week

Still Life with Oranges and Walnuts (1772) by Luis Meléndez

Still Life with Oranges and Walnuts
Warm abundance … Still Life with Oranges and Walnuts (1772) by Luis Meléndez. Photograph: © The National Gallery/Londonpress

A warm feeling of abundance emanates from this Spanish painting. Still life became a popular genre of painting of Spain in the age of Velázquez. This lovely picture shows that, in Goya’s time, it was very much flourishing, and – like Goya’s portraits – this picture of everyday things has a robust respect for the colours and masses of reality.
National Gallery, London.

Image of the week

Renoir Sucks at Painting campaign
Renoir Sucks at Painting campaigners take their message on to the streets outside Boston’s Museum of Fine Arts

What we learned this week

That Goya’s portraits exhibition is a five-star showstopper

And how Goya went to hell

That America’s most original photographer, Alec Soth, has his first UK retrospective – and it’s the photography show of the year

That the “Renoir sucks at painting” protest movement has blown up

That Scotland Yard has spilled its darkest secrets

That the UK has its very own glow-in-the-dark skatepark

Fancy a burger made of batteries or a cigarette salad? Meet the photographer who turns old shopping lists into nauseating dishes

Ai Weiwei has discovered listening devices hidden in his Beijing studio

That Frank Auerbach has written a 60-year love letter to London

That Linder Sterling, who is Morrissey’s best pal, has her very own library of perversion – and she wore a meat dress 30 years before Lady Gaga

That Damien Hirst’s Newport Street Gallery has opened its doors – and it’s a grown-up gem that shows he’s sobered with age

That naked dancers wearing Reebok Classics have taken over the Barbican centre in London

What life is like in the Cuba tourists never see

How a house in Essex revolutionised the National Trust

That Cy Twombly makes me want to plan the art heist of the century

That a rare blue period Picasso painting has a little secret

That Uri Geller has a bent spoon statue in Berkshire

And finally …

B is for Body: send your submissions for our A to Z of readers’ art now

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